Káma-Kapúska! Making Marks in Indian Country, 1833–34Main MenuWied-Neuwied’s Journal PagesA Sample ExhibitionNumak'aki Persons and ThemesProject NarrativeSourcesKristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
Scholarly Article
12019-10-28T11:39:18-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e80293297438image_header9254162021-05-02T01:51:33-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029Case Study: Mató-Tópe and the Practice of Portraiture
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12019-10-28T11:39:18-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029Káma-Kapúska! Making Marks in Indian Country, 1833–34Kristine K. Ronan12American Art History Digitally sponsored by the Terra Foundation for American Artimage_header2020-11-23T05:36:26-08:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
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12019-10-28T11:39:19-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029Making Marks in Indian Country in the 1830s12plain9253262021-05-02T02:00:22-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
12019-10-28T11:39:12-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029Case Study: Mató-Tópe and the Practice of Portraiture3plain9252612019-11-18T03:43:11-08:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
12019-10-28T11:39:05-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029Conclusion2plain2019-10-28T18:26:36-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
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12019-10-28T11:39:19-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029Making Marks in Indian Country in the 1830sKristine K. Ronan12plain9253262021-05-02T02:00:22-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
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12019-10-28T11:39:19-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029Making Marks in Indian Country in the 1830s11plain9253262021-05-02T01:59:44-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
