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Hired to Depress: A Digital Scholarly Edition of William Blake's Annotations to Sir Joshua Reynolds' DiscoursesMain MenuWho is William Blake?Just who is William Blake? And why does his scribbling in a book matter?Who is Sir Joshua Reynolds?Important FiguresTitle PageContents of The First VolumeDedication and To the KingSome Account of the Life and Writings of Sir Joshua ReynoldsWritten by Edmond Malone, Esq.The First DiscourseBibliographyElizabeth Pottera6e9fb7ea6eda3e5063e2aee73ca5f372e99b8f3
Raffaello Sanzio da Urbino
12017-02-26T13:06:15-08:00Elizabeth Pottera6e9fb7ea6eda3e5063e2aee73ca5f372e99b8f370547(Rafael, Raphael), 1483-1520image_header2017-02-26T22:10:30-08:00Elizabeth Pottera6e9fb7ea6eda3e5063e2aee73ca5f372e99b8f3Raphael was born in Urbino where his father, Giovanni Santi, was court painter. He almost certainly began his training there and must have known works by Mantegna, Uccello, and Piero della Francesca from an early age. His earliest paintings were also greatly influenced by Perugino. From 1500 - when he became an independent master - to 1508 he worked throughout central Italy, particularly Florence, where he became a noted portraitist, large figure compositions in the Vatican, and painter of Madonnas. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur.
In 1508, at the age of 25, he was called to the court of Pope Julius II to help with the redecoration of the papal apartments. In Rome he evolved as a portraitist, and became one of the greatest of all history painters.
He remained in Rome for the rest of his life and in 1514, on the death of Bramante, he was appointed architect in charge of St Peter's.
