Hired to Depress: A Digital Scholarly Edition of William Blake's Annotations to Sir Joshua Reynolds' DiscoursesMain MenuWho is William Blake?Just who is William Blake? And why does his scribbling in a book matter?Who is Sir Joshua Reynolds?Important FiguresTitle PageContents of The First VolumeDedication and To the KingSome Account of the Life and Writings of Sir Joshua ReynoldsWritten by Edmond Malone, Esq.The First DiscourseBibliographyElizabeth Pottera6e9fb7ea6eda3e5063e2aee73ca5f372e99b8f3
12015-12-12T22:25:36-08:00Some Account xi9Some Account of the Life and Writings of Sir Joshua Reynoldsplain2018-04-29T19:50:34-07:00>his life he saw this portrait, he was sur- prised to find it so well done; and comparing it with his later works, with that modesty which always accompanies genius, lamented that in such a series of years he should not have made a greater progress in his art.9
On Christmas-day, 1746, his father, a man highly respected in his native county, died ; and left our young painter to raise, as he could, the fabrick of his own fortune. After spending a few more years in the prac- tice of painting, partly in London10 and partly in Devonshire, where many of his early essays yet remain, he became acquainted with
by young Reynolds about the same time, in the Collec- tion of Lord Eliot, at Port Eliot in Cornwall.
9 He made the same observation on viewing the pic- ture of a Boy reading, which he also painted in 1746; an admirable piece, which was sold by auction among other of his works in 1796, to Sir Henry Englefield, Bart, for thirty- five guineas.
10 At this period he lived in St. Martin’s Lane, which was then a favourite residence of Artists ; nearly opposite to May’s Buildings,