Hired to Depress: A Digital Scholarly Edition of William Blake's Annotations to Sir Joshua Reynolds' DiscoursesMain MenuWho is William Blake?Just who is William Blake? And why does his scribbling in a book matter?Who is Sir Joshua Reynolds?Important FiguresTitle PageContents of The First VolumeDedication and To the KingSome Account of the Life and Writings of Sir Joshua ReynoldsWritten by Edmond Malone, Esq.The First DiscourseBibliographyElizabeth Pottera6e9fb7ea6eda3e5063e2aee73ca5f372e99b8f3
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12017-01-15T22:31:37-08:00Elizabeth Pottera6e9fb7ea6eda3e5063e2aee73ca5f372e99b8f370541The First Discourse pg. 19plain2017-01-15T22:31:37-08:00Elizabeth Pottera6e9fb7ea6eda3e5063e2aee73ca5f372e99b8f3
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12017-01-11T00:23:25-08:00The First Discourse 193plain2017-01-15T22:32:14-08:00 Copyist was this great man, even at a time when he was allowed to be at his highest pitch of excellence.
I have seen also Academy figures by Annibale Caracci, thou oh he was often suf- flciently licentious in his finished works, drawn with all the peculiarities of an indivi- dual model.
This scrupulous exactness is so contrary to the practice of the Academies, that it is not without great deference, that I beg leave to recommend it to the consideration of the Visitors ; and submit to them, whether the neglect of this method is not one of the rea- sons why Students so often disappoint expec- tation, and, being more than boys at sixteen, become less than men at thirty.
In short, the method I recommend can only be detrimental where there are but few living forms to copy ; for then Students, by always drawing from one alone, will by habit be taught to overlook defects, and mistake deformity for beauty. But of this