Week 2
Examining Media-Rich Research and Communication: A Creative Introduction
New Media and DH
As we saw last week, there are many different ways to define the digital humanities. One aspect of this debate concerns the relationship between the traditional humanities and digital humanities. Whereas some scholars see barriers, others see the relationship between the two as a "spectrum," arguing that "all humanities scholars use digital practices and concepts to one degree or another" (Lincoln Mullen, 2010). One end of this spectrum consists of scholars who use basic digital tools and resources, such as word processing programs and Google. The other end includes those who use computational methods and/or produce scholarship that is "interactive," "hypertextual," "virtual," "networked" and/or "simulated." For an introductory discussion of these terms, read Martin Lister et al., New Media: A Critical Introduction, Second (London: Routledge, 2009), 9-44. Hypothesis link.
Evaluating DH Projects
The project, as Anne Burdick et al. explain in the embedded excerpt, is the "basic unit" of DH scholarship. Because DH projects are both "continuous" and "discontinuous" with traditional forms of humanities scholarship (i.e. articles and monographs), they need to be evaluated based on their humanistic merits (i.e. use of evidence, argumentation, etc. ) and digital merits. Some questions to consider when evaluating the digital merits of a project include:- How is the project set up?
- Who runs it, and who are its stakeholders?
- What are its assets, structure, services and displays (for definitions of these terms, go here)? What values seem to be encoded in these elements?
- Who is the audience for this project? Does the audience already exist or does the project create a new community?