Genevieve Carpio's Pedagogical Portfolio: Teaching, Digital Humanities, and Diversity

Pedagogical Portfolio

Teaching Philosophy

My
 work seeks to render historical questions, perspectives, and stories socially 
meaningful for present populations. The opportunity to engage students in this process is an integral part of
my work. Towards this end, my primary objective as a teacher is to provide 
students with a critical lens towards American studies so that they may better locate
themselves as agents of social change. The toolkit I use to do so emphasizes experiential learning, community engagement, and digital  media.

Experiential 
learning offers a powerful tool for engaging students with the practice of 
comparative ethnic studies. Because of my own professionalization within
 archival and preservation based organizations, these activities have centered
on providing students with opportunities for primary historical analysis,
 including:

  • Conducting 
on-site architectural analysis of “the Mexican Village” in Los Angeles
  • Discussing 
historical methods with archivists at the Seaver Center for Western
 History
  • Analyzing
 the content of exhibits at the Natural History Museum
Rather than finding a “correct” 
answer, I ask students to consider the various ways groups have worked to
 create historical narratives that shape the ways we understand racial
 difference. Recognizing the production of history as a process with material
 consequences challenges passive-learning approaches to education and can spark
debate regarding the stakes involved when making sense of the past.

I find that opportunities to move the classroom 
beyond campus resonate particularly strongly with underrepresented students,
 for whom the communities surrounding urban universities more closely represents
their own ethnic or class identifications. For instance, in my
 coordination of the Building People’s History project, a semester long 
community partnership intended to draw public attention to a politically-active
 archive in south Los Angeles, students from 
diverse backgrounds became active participants in discussion, stayed after
class, and expressed interest in becoming majors. The visible presence of 
leaders sharing a similar background helped them connect with class materials, 
take an active role in the discussion, and envision a place for themselves in
the production of history.  

Experiential learning and community
partnerships contribute to an active-learning environment within the classroom.
 They provide opportunities for student reflection within writing assignments,
common experiences to draw upon during small-group work, and material references
for lectures. Based on iterations in my discussion section at USC, I plan for
 student-led discussion to be a signature part of each class. While lecture and
assignments also hold a central role in my classroom, I believe that fostering students’
 responsibility for themselves and their classmates helps them hone a sense of 
self-awareness and accountability as social agents whose ideas and actions
affect others. I am also interested in integrating digital media to the
classroom in sustainable ways, evident by my current training through the
Institute for Multimedia Literacy at USC.

In closing, as a scholar with a commitment to the public
 humanities, I seek to make ethnic studies meaningful to students by applying
its lessons to the analysis of contemporary landscapes. It is my goal to realize
 visions of liberatory praxis in the local times and places of people’s lives,
 both within and beyond the classroom.


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