Trevor questions the politics of being “inspired” by the performance or by people with disabilities more generally, and he struggles with the implications of FRAP at the intersection of giving people space to feel what they feel. He also discusses the difficulty of performing particular disabilities, such as schizophrenia or other invisible disabilities.

“I don't know if the performance talked to the politics necessarily that we were wanting it to talk to… but I think it spoke to something for people, which I mean it’s an incitement to discourse.”

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