“A Man Among Men” in Algerian Paris: Modeling Motivation and Movement in Jake Lamar’s Rendezvous EighteenthMain MenuRendezvous Eighteenth HeaderSplash PageJake Lamar and Rendezvous EighteenthAn introduction to Jake LamarFrench Impressionism and Rendezvous EighteenthThesisThesis StatementMorrison: Point of ViewTheoretical FrameworkAmine: Algerian ParisKeaton: Black American ParisRoutes of Narration: Detective FictionRoutes of Narration: romance“A Man Among Men” in the Eighteenth"A Man Among Men": Valitsa"A Man Among Men": Fatima"Algerian Paris" Revisited": Barbes"Algerian Paris" Revisited: Mairie of the Eighteenth"Algerian Paris" Revisited: La Goutte d'OrPDFTyechia Thompsonbc71e165d00a18aba298b488fdfa84bd9d2d0bd0
“Algerian Paris” Revisited
12016-10-08T12:01:00-07:00Tyechia Thompsonbc71e165d00a18aba298b488fdfa84bd9d2d0bd015084google_maps2018-11-28T14:40:38-08:00Tyechia Thompsonbc71e165d00a18aba298b488fdfa84bd9d2d0bd0Rendezvous Eighteenth shows that because he is of African descent in the Eighteenth Arrondissement, Ricky experiences harassment from police in Paris, which is comparable to his experiences in the U.S.A. Comparing law enforcement in France and the U.S.A. is not new in African-American expatriate fiction literature, and this portrayal is evident in The Stone Face. However, it is worth noting that though Rendezvous Eighteenth is not set during the Civil Rights Movement nor Algerian War of Independence (as the earlier fiction is), the tensions with police officers in the U.S.A. are juxtaposed with law enforcement in the Eighteenth Arrondissement. To demonstrate, Ricky experiences harassment and witnesses brutality by police in the U.S.A., and this continues in Paris. The narrator states, “Cops were never the good guys—not to Ricky Jenks” (43). Then the narrator describes four incidences that shape Ricky’s perspective of the police in the U.S.A. The first is the image on television of “white cops in helmets beating people who looked like Ricky and his family” (43); the second is Ricky’s use of the term “pigs” for cops because of police harassment and brutality he witnesses; the third is Ricky’s harassment as a teen by officers in his upper middle class neighborhood of Benson, New Jersey because the officers did not think he belonged there; and the fourth is Ricky’s “protest against the racist brutality of the NYPD blue” as an adult (43). Rendezvous Eighteenth demonstrates that Ricky’s harassment by police officers are not limited to the four type of incidences in the U.S.A.
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12016-10-08T12:23:25-07:00Tyechia Thompsonbc71e165d00a18aba298b488fdfa84bd9d2d0bd0"Algerian Paris" Revisited: La Goutte d'Or4plain2016-10-08T12:33:12-07:0048.8911337, 2.3460763Tyechia Thompsonbc71e165d00a18aba298b488fdfa84bd9d2d0bd0
12016-10-08T12:39:01-07:00Tyechia Thompsonbc71e165d00a18aba298b488fdfa84bd9d2d0bd0"Algerian Paris" Revisited: Mairie of the Eighteenth1plain2016-10-08T12:39:02-07:0048.8922784 ,2.3444606Tyechia Thompsonbc71e165d00a18aba298b488fdfa84bd9d2d0bd0