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In practice

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Stan VanDerBeek was a filmmaker and animator who worked at a number of collaborative institutions and on a number of Expanded Cinema projects. He is perhaps most well known for his "Movie-Drome" installation, which is a domed structure he built in order to project multiscreen film projects.

Sources relevant to VanDerBeek and the Movie-Drome:

Bartlett, Mark. “Socialimagestics and the Visual Acupuncture of Stan VanDerBeek’s Expanded Cinema.” In Expanded Cinema: Art, Performance, Film, edited by A.L. Rees, Duncan White, Steven Ball and David Curtis, 50-62. London: Tate Publishing, 2011
Belton, John. Widescreen Cinema. Cambridge, MA: Harvard University Press, 1992.
Bijvoet, Marga. Art as Inquiry: Toward New Collaborations Between Art, Science, and Technology. New York: Peter Lang 1997.
Claus, Jurgen. “Stan VanDerBeek: An Early Space Art Pioneer.” Leonardo 36:3 (2003): 229-230.
Colomina, Beatriz. “Enclosed by Images: The Eamses’ Multimedia Architecture.” Grey Room 2 (2001): 5-29.
Durniak, John. “The VanDerBeek Dimension.” In U.S. Camera World Annual: 1970, 72-80. New York: U.S. Camera Publication Corporation, 1970.
Grundmann, Roy. “Masters of Ceremony: Media Demonstration as Performance in Three Instances of Expanded Cinema.” The Velvet Light Trap 54 (2004): 48-64.
Hanhardt, John G. “From Screen to Gallery.” American Art 22:2 (2008).
Mabon, Prescott C. Mission Communications: The Story of Bell Laboratories. Murray Hill, NJ: Bell Laboratories Inc., 1975.
Rees, A.L., Duncan White, Steven Ball and David Curtis, editors. Expanded Cinema: Art, Performance, Film. London: Tate Publishing, 2011.
Scott, Felicity D. Architecture or Techno-Utopia: Politics After Modernism. Cambridge, MA: MIT Press, 2007.
Sutton, Gloria. The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema. Cambridge, MA: MIT Press, 2015.
Turner, Fred. The Democratic Surround: Multimedia & American Liberalism from World War II to the Psychedelic Sixties. Chicago: University of Chicago Press, 2013.
Uroskie, Andrew V. Between the Black Box and the White Cube: Expanded Cinema and Postwar Art. Chicago: University of Chicago Press, 2014.
VanDerBeek, Stan. “Culture Intercom,” Film Culture 40 (1966): 15-18.

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