Being WrongedMain MenuAbout the AuthorsStudent BiosHobo Lobo of Hamelin by Raghav GoyalBy Raghav GoyalMissing by Sara LingFaçade By Dominique TomotoThe Brain Drawing the Bullet By Krisjon SpringBy Krisjon SpringWorks CitedBy Raghav, Krisjon, Dominique and SaraRaghav Goyal63a038b2bbb0b6852943583aec0fe0427545d847Krisjon Spring58b540a0c21895a1538b6837d2644f586212af70Sara Lingcbddef36b834bb74f63869f7785da7b9a3a37498Dominique Tomoto1c17c0b0b07fef4eae036fd324de519cc25aec0c
Shouting for Wendy
12019-11-14T21:21:11-08:00Sara Lingcbddef36b834bb74f63869f7785da7b9a3a37498355671Shows the audio of Missingplain2019-11-14T21:21:11-08:00Sara Lingcbddef36b834bb74f63869f7785da7b9a3a37498
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12019-11-14T10:28:38-08:00Audio of Missing7About the audio portion of the interactive documentaryplain2019-11-18T19:58:44-08:00Audio plays a very significant part of interactivity that aids the reader in becoming truly immersed in the story. In "Missing," several sounds and verbal phrases are played for the audience to give the effect of truly being apart of the action and living the actual story.
In the documentary, a voice-over for the missing girl is played in which she shares her feeling and thoughts of what to do and where to go now that she is alone and wounded. Having this audio creates the effect that the girl is actually talking to the reader, formulating a personal bond between the reader and the girl that helps the audience become more engaged in the narrative.
In the background, the dad of the abducted girl can be heard shouting and calling "Wendy," the girl's name. The sound appears to come from every direction, producing the sensation that the reader is with the dad and searching for Wendy as well. Hearing the voice of the dad yelling for Wendy rather than merely reading this description creates a more real experience and helps the reader feel more empathy towards the dad and this unfortunate and wrongful situation.
To learn more about the importance of sound... click HERE