Being WrongedMain MenuAbout the AuthorsStudent BiosHobo Lobo of Hamelin by Raghav GoyalBy Raghav GoyalMissing by Sara LingFaçade By Dominique TomotoThe Brain Drawing the Bullet By Krisjon SpringBy Krisjon SpringWorks CitedBy Raghav, Krisjon, Dominique and SaraRaghav Goyal63a038b2bbb0b6852943583aec0fe0427545d847Krisjon Spring58b540a0c21895a1538b6837d2644f586212af70Sara Lingcbddef36b834bb74f63869f7785da7b9a3a37498Dominique Tomoto1c17c0b0b07fef4eae036fd324de519cc25aec0c
Arrow
1media/arrow_thumb.jpg2019-11-14T10:50:50-08:00Sara Lingcbddef36b834bb74f63869f7785da7b9a3a37498355671shows the arrow that guides the readerplain2019-11-14T10:50:50-08:00Sara Lingcbddef36b834bb74f63869f7785da7b9a3a37498
12019-11-13T23:08:51-08:00Navigating Like the Detective34Demonstrating the interactive ability to navigate like the detectiveplain2019-11-18T19:57:51-08:00
By formatting a broken screen layout for "Missing," the audience can act as the detective and simulate the findings of the several spots the missing girl had wandered off to. Because of the interactive aspect of the story, the audience does not merely watch the detective do all the work, but instead, the reader is given the opportunity to search his or herself. The audience is allowed to navigate through the broken puzzle pieces as arrows appear on the screen to help guide the reader toward the right location, finding the different places that the girl had been. By giving the audience the ability to manually navigate through their environment and take on an active role in the story, the narrative becomes more personal, connecting the story to the reader. To read more about the idea of navigating through your environment... click HERE
