Being WrongedMain MenuAbout the AuthorsStudent BiosHobo Lobo of Hamelin by Raghav GoyalBy Raghav GoyalMissing by Sara LingFaçade By Dominique TomotoThe Brain Drawing the Bullet By Krisjon SpringBy Krisjon SpringWorks CitedBy Raghav, Krisjon, Dominique and SaraRaghav Goyal63a038b2bbb0b6852943583aec0fe0427545d847Krisjon Spring58b540a0c21895a1538b6837d2644f586212af70Sara Lingcbddef36b834bb74f63869f7785da7b9a3a37498Dominique Tomoto1c17c0b0b07fef4eae036fd324de519cc25aec0c
Façade Ending - Getting Kicked Out
12019-11-18T16:11:17-08:00Dominique Tomoto1c17c0b0b07fef4eae036fd324de519cc25aec0c355671After using offensive terminology, Trip removes the player from his home. (Recorded with https://screencast-o-matic.com)plain2019-11-18T16:11:17-08:00YouTube2019-11-19T00:17:58.000ZZwi1gqBaVLMDominique TomotoDominique Tomoto1c17c0b0b07fef4eae036fd324de519cc25aec0c
Nothing Changes -your being there does nothing to affect their relationship
If you take notice to the figure above, it shows you just what happens when the player is kicked out. One of the six endings possible.
There are multiple routes and dialogues to achieve these endings, as described by player experiences. There is no one way to go about getting a certain ending. For example, user Mana on the website StackExchange, asked fellow community members about all possible endings and how to achieve them. They were met with multiple answers outlining multiple tracks that could be taken to complete the story. One user in particular described how they got both Trip and Grace to admit to having an affair. This interaction clearly exemplifies the theme of being wronged as both partners have done things the other would not approve of.
We are able to have such varied experiences because the player is fully immersed into the story. It's read in first-person and we are spoken to as if we are really present in the couple's home. We are not allowed to sit in the backseat and watch as the drama unravels but rather take a definitive role in why events turned out as they have.
We are essentially the driving force of the story. By what we say and what we do, we determine just exactly how the night's going to end. We are directly involved in what will be a catastrophic evening.