ENG 283E: Our Premodern Epics: How Epics Create Culture and Vice Versa

Beowulf: For Those Who Possess Attention Spans Of Incredulously Short Length And Are Easily Intimidated By Ancient Works Of Literature, The British Library in London





Within the British Library in London lies Cotton Vitellius A.xv, in which the Nowell Codex resides, and it is in this codex that exists the only copy of the epic poem “Beowulf” with which this page is concerned. Its impact is vast, stretching through both time and space, yet its analysis and discussion are difficult, even in the modern day and age, as there remain a great number of complications in regards to the interpretation of its text and the extrapolation of its intended meaning. William Witherle Lawrence explains it best in his article, stating “The criticism of Beowulf is a tangled thicket, and whoever would make a clearing at a given point, and try to gain a wider view into the distance, must expect to find that there are more trees to be felled than he had supposed, and that the only path which lies open to him may be blocked by a monarch of the forest” (221). The epic is so ancient, its language so archaic, its historical and cultural impacts so pervasive, that to fully dissect such a behemoth of a work continues to be an endless task.

That isn’t to say, however, that we should therefore give up altogether. Quite the contrary, in fact, its unconquerable stature is what makes felling the trees of the monarch forest that is Beowulf all the more gratifying. Now, thanks to the modern marvel of technology and the instantaneous transferal of information through the internet, we can cast our attentive gaze upon the concise yet informative video above, which explores Beowulf’s plot and its various historical and cultural influences in a charmingly drawn and spectacularly narrated summary.
 

Works Cited
Lawrence, William Witherle. "Some Disputed Questions in Beowulf-Criticism." PMLA 24.2 (1909): 220-73. Web.
 

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