Bibliography
Secondary Texts
Brooks, Lisa. The Common Pot: The Recovery of Native Space in the Northeast. NED-New edition, University of Minnesota Press, 2008. JSTOR, http://www.jstor.org/stable/10.5749/j.ctttsd1b. Accessed 7 Dec. 2022.
Byrd, Jodi A. “Not Yet: Indigeneity, Antiblackness, and Anthicolonial Liberation.” Antiblackness, edited by MOON-KIE JUNG and JOÃO H. COSTA VARGAS, Duke University Press, 2021, pp. 309–24. JSTOR, https://doi.org/10.2307/j.ctv1grbbwr.18. Accessed 7 Dec. 2022.
Byrd, Jodi A. The Transit of Empire: Indigenous Critiques of Colonialism. NED-New edition, University of Minnesota Press, 2011. JSTOR, http://www.jstor.org/stable/10.5749/j.ctttv97j. Accessed 7 Dec. 2022.
Iyko Day. “Being or Nothingness: Indigeneity, Antiblackness, and Settler Colonial Critique.” Critical Ethnic Studies, vol. 1, no. 2, 2015, pp. 102–21. JSTOR, https://doi.org/10.5749/jcritethnstud.1.2.0102.
Daniel Heath Justice, Mark Rifkin, Bethany Schneider; INTRODUCTION. GLQ 1 April 2010; 16 (1-2): 5–39.
Deloria, Phillip. “When Trial Nations Choose to Expel their Black Members. The New Yorker, 18 July 2022.
Driskill, Qwo-Li ; “DOUBLEWEAVING TWO-SPIRIT CRITIQUES: Building Alliances between Native and Queer Studies. GLQ 1 April 2010; 16 (1-2): 69–92.
Miles, Tiya. Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom. 1st ed., University of California Press, 2005.
Hartman, Saidiya. "Venus in Two Acts." Small Axe, vol. 12 no. 2, 2008, p. 1-14. Project MUSE muse.jhu.edu/article/241115.
Leroy, Justin. "Black History in Occupied Territory: On the Entanglements of Slavery and Settler Colonialism." Theory & Event, vol. 19 no. 4, 2016. Project MUSE muse.jhu.edu/article/633276.
Hill, Sarah H. “Weaving History: Cherokee Baskets from the Springplace Mission.” The William and Mary Quarterly, vol. 53, no. 1, 1996, pp. 115–36.
Lowe, Lisa. The Intimacies of Four Continents. Duke University Press, 2015. JSTOR, https://doi.org/10.2307/j.ctv11cw8zh. Accessed 7 Dec. 2022.
King, Tiffany Lethabo. The Black Shoals: Offshore Formations of Black and Native Studies. Duke University Press, 2019. JSTOR, https://doi.org/10.2307/j.ctv11smm07. Accessed 7 Dec. 2022.
Racette, Sherry Farrell. Tuft Life: Stitching Sovereignty in Contemporary Indigenous Art, Art Journal, 76:2, 114-123, 2017
Sexton, J. (2016). “The Vel of Slavery: Tracking the Figure of the Unsovereign”. Critical Sociology,42(4–5),583–597. https://doi-org.turing.library.northwestern.edu/10.1177/0896920514552535.
Spillers, Hortense. "Mama's Baby, Papa's Maybe: An American Grammar Book." Diacritics 17.2 (1987): 65-81. Print.
Starks, Ambers. Rodslen Brown’s “Lace Moxie’s Purse”, Ancestors Who We Are, National Museum of American Art.
Teuton, Christopher B. Deep Waters: The Textual Continuum in American Indian Literature. University of Nebraska Press, 2010. Project MUSE muse.jhu.edu/book/1489.
Wilderson, Frank B., III, 1956-. Red, White & Black : Cinema and the Structure of U.S. Antagonisms. Durham [NC] :Duke University Press, 2010.
Yazzie, Melanie, and Cutcha Risling Baldy. “Introduction: Indigenous Peoples and the Politics of Water.” Decolonization: Indigeneity, Education & Society, vol. 7, no. 1, Aug. 2018, pp. 1–18.
Primary Sources
Captain Shoe Boots to the Chiefs in Council, October 20, 1824, Cherokee Nation Papers, roll 46, no 6508, Western History Collections, University of Oklahoma, Norman, Oklahoma.
Rodslen, Brown. “Lace Moxie’s Purse.” 2021
Webber, Stormie, “I cover the waterfront.”. Ancestors Know Who We Are.