Art in an Early Global World at WAM: A WAM/College of the Holy Cross CollaborationMain MenuAmanda Luyster17d39c1ecea88fb7ff282fe74a410b89478b8327Created by the Worcester Art Museum and the College of the Holy Cross, with the Worcester Public Schools AP Art History class of 2024. Financial support provided by the Medieval Academy of America and "Scholarship in Action" at Holy Cross.
Justinian mosaic
12024-03-28T13:30:38-07:00Richard Lent3e723f35a685aebf07b8b602f188f085f3fa0c8f448011Mosaic of the Emperor Justinian, 547 CE, Wikimedia Commons.plain2024-03-28T13:30:38-07:00Richard Lent3e723f35a685aebf07b8b602f188f085f3fa0c8f
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12024-03-28T13:30:37-07:00What does the Floor Mosaic tell us about the early global world?10plain2024-10-30T09:48:42-07:00 Religiously Diverse The mosaic's peacocks and grapes have connections both to paganism and Christianity. This shows that the early global world was religiously diverse. Later in the medieval period Christ will be depicted explicitly, such as in The Last Judgement painting.Natural Resources & Connections Limestone and other valuable materials were extracted within the Byzantine empire and traded to other places. The early global world utilized natural resources and was connected in a way that allowed other areas to benefit from local resources. Diverse & Shifting Roman traditions of mosaics carried over into the Byzantine Empire. The floor mosaic tells us that the empires and styles of the early global world were diverse and shifting. Comparing WAM's mosaic to another mosaic showing the Byzantine emperor Justinian I's court, also completed in the 500s, we see that mosaics can also decorate walls, and different materials -- like gold -- could be used for different effects. Motifs The mosaic shows that the early global world shared motifs. For example, the late Roman sarcophagus of Constantina, sculpted in the middle 300s CE, shares the mosaic's scrolling vines and strutting peacocks (look at the bottom corners).
Crafts & Arts The early global world supported craftsmen and artists with both public and private commissions.
Maggie McCracken, Class of 2025, College of the Holy Cross