DHSHXMain MenuIntroduction: What's Digital Shakespeare?An explanation of why this book exists.Learning Goals & This BookThe learning goals that this book will addressWhere to Start in this BookA List of Primary Paths Available in the Book"DH" | Digital Methods for Literary StudyAn opening Page containing paths for learning about digital methods & the study of Literature/ShakespeareShakespeare: The BasicsShakespeare: The DigitalPath for how digital technology enhances the study of Shakespeare's worksUnits on Specific WorksHome Page for Paths with Specific Plays & Poems"DH" AssignmentsAssignments that make use of digital texts, tools, or bothVimala C. Pasupathiceefc20a3151658461abeb1911f30e5d016aa34bHeather Froehlich5639e57a03aa50c93c99bd45c43a043de977f7d9Emily Sherwoodad202272cf9b8dc4091c179ce0cc26ba6b98d81c
The Industrious 'Prentice Alderman of London, the Idle One Brought Before Him & Impeached by his Accomplice (Industry and Idleness, plate 10)
12017-03-18T14:11:27-07:00Emily Sugermanc85730949e4929a2629bf90a6aeab801c77592a8101262Eighteenth-century depiction of an aldermanplain2017-03-18T17:49:21-07:00Internet Archiveimagemma_the_industrious_prentice_alderman_of_london_the_idle_one_brought_before_hi_398602EngravingEuropePrintsSeptember 30, 1747EtchingMetropolitan Museum of ArtUnited KingdomEtching and engravingfirst state of twoEmily Sugermanc85730949e4929a2629bf90a6aeab801c77592a8
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12017-02-11T22:25:39-08:001.4 Queen Mab Speech8plain2017-03-18T17:41:39-07:00 MERCUTIO O, then I see Queen Mab hath been with you. She is the fairies’ midwife, and she comes In shape no bigger than an agate stone On the forefinger of an alderman, Drawn with a team of little atomi Over men’s noses as they lie asleep. Her wagon spokes made of long spinners’ legs, The cover of the wings of grasshoppers, Her traces of the smallest spider web, Her collars of the moonshine’s wat’ry beams, Her whip of cricket’s bone, the lash of film, Her wagoner a small gray-coated gnat, Not half so big as a round little worm Pricked from the lazy finger of a maid. Her chariot is an empty hazelnut, Made by the joiner squirrel or old grub, Time out o’ mind the fairies’ coachmakers. And in this state she gallops night by night Through lovers’ brains, and then they dream of love; On courtiers’ knees, that dream on cur’sies straight; O’er lawyers’ fingers, who straight dream on fees; O’er ladies’ lips, who straight on kisses dream, Which oft the angry Mab with blisters plagues Because their breaths with sweetmeats tainted are. Sometime she gallops o’er a courtier’s nose, And then dreams he of smelling out a suit. And sometime comes she with a tithe-pig’s tail, Tickling a parson’s nose as he lies asleep; Then he dreams of another benefice. Sometime she driveth o’er a soldier’s neck, And then dreams he of cutting foreign throats, Of breaches, ambuscadoes, Spanish blades, Of healths five fathom deep, and then anon Drums in his ear, at which he starts and wakes And, being thus frighted, swears a prayer or two And sleeps again. This is that very Mab That plats the manes of horses in the night And bakes the elflocks in foul sluttish hairs, Which once untangled much misfortune bodes. This is the hag, when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage. This is she— ROMEO Peace, peace, Mercutio, peace. Thou talk’st of nothing. MERCUTIO True, I talk of dreams, Which are the children of an idle brain, Begot of nothing but vain fantasy, Which is as thin of substance as the air And more inconstant than the wind, who woos Even now the frozen bosom of the north And, being angered, puffs away from thence, Turning his side to the dew-dropping south. (1.4.58-110)