Decoding Diaspora: Mapping J. A. Rogers' Mythic Africa Main Menu Table of Contents Explore and Navigate the Different Facets of the Decoding Diaspora project. Project An Introduction by Dr. Richard Newton Researchers and Community Partners Participants and Partners in Decoding Diaspora Data Access the Data for Your Own Research Interpretations Use Digital Tools to Explore How J. A. Rogers Understood "Africa" Essays Experimental Studies Using the Data and Interpreations Featured Here References Project Bibliography and Recommended Readings

Use and Permissions

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Fair Use


Decoding Diaspora operates under fair use provision of the Section 107 U.S. Copyright Act. The project is a digital transformation of the Research Director's family's collection of newspaper clippings from the out-of-print Pittsburgh Courier for educational and research purposes. The contents are limited to those clippings preserved cut out and collected by the Project Director's family, a curatorial process that itself is part of the matters being researched. And insofar as the collection is rapidly deteriorating, this digital project offers a mode of preservation and instigation of further research into the work of Joel Augustus Rogers and his readership. No copyright infringement is intended.
 

Licensing 


As a digital humanities project, Decoding Diaspora is committed to the employ of open-source resources for analysis and Creative Commons licensing for purposes of production and engagement.

  Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Preferred Citation:

Richard Newton. Decoding Diaspora: Mapping J.A. Rogers' Mythic Africa. REL Digital Lab in the Department of Religious Studies at the University of Alabama. https://scalar.usc.edu/works/decoding-diaspora/.

For any questions, please email Project Director Dr. Richard Newton at rwnewton-at-ua-dot-edu.


 

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  1. References Richard Newton