Curating in the Continuous Present: A Rehearsal For Gertrude Stein's Objects Lie on a TableMain MenuA Detective Story“Objects on a table and the explanation.” (Stein, Objects, 105)The tableau has come off the wall.How to Write (in and of time)“In doing this thing, I hope to find out this question.” (Stein, How Writing is Written, 156)“Act so there is no use in a center.” (Stein, Tender Buttons, 63)“What is a relation?” (Stein, Objects, 105)“It is by no means strange to arrange.” (Stein, Stanzas in Meditation, 143)Re-Arranging Rhetoric“With which part of the arrangement are they in agreement.” (Stein, How to Write 136)What might the rehearsal of this play mean for exhibition making?path 2A Dramaturgy for Curating Processpath 2Rehearsals for Curating Reversalspath 2And afterwards. Now that is all. (Stein, Composition, 6)essay conclusionWorks Citedbibliographic informationEmelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
"Tea Service" documentation
12016-02-27T08:35:24-08:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f783111tea partyplain2016-02-27T08:35:25-08:00Copyright Art Gallery of OntarioTea Party in ConservationEmelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
This page is referenced by:
12016-02-27T08:32:00-08:00Exploring Positions in Compositions3plain2016-02-27T08:37:24-08:00In one way or another, all the artists’ practices in Rehearsal for Objects Lie on a Table explore composition in more than formal terms. Like Stein, they expose the politics of arrangement, viewing it as a “ground” that can condition ways of thinking beyond simply supporting already established figures of thought. That is, the artists rearrange— acknowledging that the kinds of arrangements we make, especially with objects, can dramatically alter their status. Take Borsato’s museum action/intervention Tea Service (Conservators will wash the dishes), 2013, presented here as photographic documentation. Restoring some of the oldest cups in the Art Gallery of Ontario’s Grange House Collection back to their intended use, Borsato orchestrated a tea service with invited guests, including the conservators, who washed the dishes before and after this extraordinary event. But even though there are works that make reference to actual objects in the play (such as a tea cup), works in this exhibition are not intended to be illustrative: this text, like the exhibition itself, is merely a “system to pointing” (Tender Buttons,) not a system of pointing. Rehearsals allow us to explore the range of pointing but not of pinpointing the position of meaning: neither in the exhibition, nor the play.