Curating in the Continuous Present: A Rehearsal For Gertrude Stein's Objects Lie on a TableMain MenuA Detective Story“Objects on a table and the explanation.” (Stein, Objects, 105)The tableau has come off the wall.How to Write (in and of time)“In doing this thing, I hope to find out this question.” (Stein, How Writing is Written, 156)“Act so there is no use in a center.” (Stein, Tender Buttons, 63)“What is a relation?” (Stein, Objects, 105)“It is by no means strange to arrange.” (Stein, Stanzas in Meditation, 143)Re-Arranging Rhetoric“With which part of the arrangement are they in agreement.” (Stein, How to Write 136)What might the rehearsal of this play mean for exhibition making?path 2A Dramaturgy for Curating Processpath 2Rehearsals for Curating Reversalspath 2And afterwards. Now that is all. (Stein, Composition, 6)essay conclusionWorks Citedbibliographic informationEmelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
Diane Borsato, Arrangement, 2016
12016-03-22T13:18:17-07:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f783111Made specifically for Rehearsal for Objects Lie on a Table, east galleryplain2016-03-22T13:18:17-07:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
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12016-02-23T19:22:43-08:00Diane Borsato, Arrangements, 2014-20166arrangementsplain2016-03-22T13:23:25-07:00Diane Borsato, Arrangements, 2014-2016. Found objects and flowers. A series specifically composed for Rehearsal for Objects Lie on a Table. Courtesy of the artist. *Located at various times and places in the exhibition. Since 2014, Borsato has been studying the modern school of Sogetsu Ikebana (Japanese flower arranging) as a practice-form akin to a hobby. Through this mindful, slow, and contemplative practice, Borsato hones her skills of observation—gesturing with objects toward a more intimate encounter of the world. “And now we have explained the interest a cellist can show in a sculptor.” (Objects, 106)
