Curating in the Continuous Present: A Rehearsal For Gertrude Stein's Objects Lie on a Table

Erika DeFreitas, and now to begin as if to begin begin of beginning ..., 2016

Erika DeFreitas, and now to begin as if to begin begin of beginning again and again and again (in the continuous present with Gertrude Stein), 2016. Performance composed with type writer and paper. Courtesy of the artist.

DeFreitas has written a serial text to accompany the exhibition. The first four chapters interrogate passages of Stein’s play. They are: (1) Nuns, (2) Negros and Chinamen, (3) Objects in the House, and (4) Time-Sense. The fifth chapter records a conversation DeFreitas orchestrated with Gertrude Stein via a medium on February 6, 2016. Chapters 6 through 10 are written in the exhibition and act to record the changing arrangements. As Stein states in her lecture Plays, “knowledge as anyone can know is a thing to get by getting;” and here DeFreitas thinks and makes and does Stein as a way to co-learn her compositional strategies—the same way exhibition-making is a methodology through which to co-learn Stein’s play. Visitors to the exhibition were welcome to pick up any of these chapters and use the texts as alternative guides to the exhibition.


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