Curating in the Continuous Present: A Rehearsal For Gertrude Stein's Objects Lie on a TableMain MenuA Detective Story“Objects on a table and the explanation.” (Stein, Objects, 105)The tableau has come off the wall.How to Write (in and of time)“In doing this thing, I hope to find out this question.” (Stein, How Writing is Written, 156)“Act so there is no use in a center.” (Stein, Tender Buttons, 63)“What is a relation?” (Stein, Objects, 105)“It is by no means strange to arrange.” (Stein, Stanzas in Meditation, 143)Re-Arranging Rhetoric“With which part of the arrangement are they in agreement.” (Stein, How to Write 136)What might the rehearsal of this play mean for exhibition making?path 2A Dramaturgy for Curating Processpath 2Rehearsals for Curating Reversalspath 2And afterwards. Now that is all. (Stein, Composition, 6)essay conclusionWorks Citedbibliographic informationEmelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
Can an exhibition be a rehearsal for a play?
1media/annotated-script.jpg2016-02-21T15:40:50-08:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7831118Path 1plain2379862016-02-23T19:06:31-08:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7I am curious about whether an exhibition can be a rehearsal for a play and whether, through that rehearsal, the play and exhibition making—to use Gertrude Stein’s language—could find its new “time-sense.” (Stein, Composition, 1)
12016-02-21T16:11:39-08:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7The tableau has come off the wall.10plain2016-03-22T11:50:45-07:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
12016-02-21T16:52:49-08:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7How to Write (in and of time)6plain2016-03-22T12:51:33-07:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
12016-02-21T17:21:00-08:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7“What is a relation?” (Stein, Objects, 105)4plain2016-03-22T15:59:17-07:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
