Counterculture in the 1960'sMain MenuCounterculture in the 1960'sZaccaria FaridCounterculture Movements during the 1960'sIntroductionThe Beat GenerationCountercultural Community also know as Hippies"Night Raiders" - Political StickersGraphic Protest Towards Imperialism, War, and EqualityPsychedelic Art EmergingNew Art Forms and Techniques Developed Through the Use of LSDThe Acid TestsKen Kesey and the Merry Pranksters with the Grateful DeadThe Summer of Love 1967Crucial Moment in the Counterculture Hippie MovementBibliography and Works CitedZaccaria Farid4f659fe3667e9237c5cab359f6e5d5fd98928fc7
The Acid Test Bus
12017-12-05T11:20:22-08:00Zaccaria Farid4f659fe3667e9237c5cab359f6e5d5fd98928fc7274681The Acid Test Bus 1
https://origins.osu.edu/milestones/december-2015-acid-testsplain2017-12-05T11:20:22-08:00Zaccaria Farid4f659fe3667e9237c5cab359f6e5d5fd98928fc7
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12017-12-05T11:14:56-08:00The Acid Tests4Ken Kesey and the Merry Pranksters with the Grateful Deadgallery2017-12-05T11:31:44-08:00The Acid Tests were a series of gatherings conducted by Ken Kesey and the Merry Pranksters along with the Grateful Dead where LSD would be taken. Ken Kesey and the Merry Pranksters would travel throughout California and gather groups of countercultural youth to sell LSD to and “put on various art performances" as they traveled around on a psychedelically painted bus known as “Further.” Ken Kesey initially experimented with LSD in one of the “CIA’s secret trials,” then he began to “steal LSD, and invite his friends to try acid at his home.” (pbs) His goal with the Acid Tests was to allow LSD to be more readily "accessible to the general public,” and “promised psychological, social, and other kinds of liberations.” As part of the countercultural movement, this allowed for more minds to expand towards their views concerning U.S. imperialism, equality, and conformity. The tests also played a major role in developing the new form of psychedelic art that was derived from taking LSD. (Cahn 2015)