Counterculture in the 1960'sMain MenuCounterculture in the 1960'sZaccaria FaridCounterculture Movements during the 1960'sIntroductionThe Beat GenerationCountercultural Community also know as Hippies"Night Raiders" - Political StickersGraphic Protest Towards Imperialism, War, and EqualityPsychedelic Art EmergingNew Art Forms and Techniques Developed Through the Use of LSDThe Acid TestsKen Kesey and the Merry Pranksters with the Grateful DeadThe Summer of Love 1967Crucial Moment in the Counterculture Hippie MovementBibliography and Works CitedZaccaria Farid4f659fe3667e9237c5cab359f6e5d5fd98928fc7
MFA poster 2
12017-12-05T10:32:30-08:00Zaccaria Farid4f659fe3667e9237c5cab359f6e5d5fd98928fc7274681Psychedelic Art 2plain2017-12-05T10:32:30-08:002017110913273420171109132734Zaccaria Farid4f659fe3667e9237c5cab359f6e5d5fd98928fc7
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12017-12-05T10:51:39-08:00Psychedelic Art Emerging2New Art Forms and Techniques Developed Through the Use of LSDgallery2017-12-05T11:27:47-08:00The Psychedelic Art Movement was largely influenced by the use of LSD within the counterculture society during the 1960’s. LSD is known to create “colorful hallucinations” which inspired the bright color palette used for these images. The art form is most commonly known to be lead by Wes Wilson, an American artist who used words inside his pieces to portray a direct message, but muddled the meaning by intertwining the letters with the image, or have them appear to be “melting or floating.” Wilson took his inspiration for lettering from the “Viennese Secessionist style” and manipulated it inside his images by utilizing other artist’s styles of art. Becoming a mash up of various styles, the process relates to the “main principle” of the Psychedelic art style; “not to deliver messages as succinctly and efficiently as possible, but rather, to engage the viewers for as long as possible.” (Artlark 2017)