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Colors in the water Main Menu

Irises

15622 Ogata Korin (1658-1716), 18th century. Screen painting. Nezu Museum. The Rinpa school of painting revolutionized the representation of color, with its broad expanses of color and abstraction of space in favor of these planes. Taking yamato-e as inspiration with its swathes of gold and treatment of naturalistic scenes, Rinpa painting often uses hues like rich green to represent the lush Japanese landscape.

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Gold Ana Drinovan
Contents of this annotation:
1. Edo period uchikake Edo period uchikake (outer robe). 19th century. Gifted to the Museum of Fine Arts, Boston in 1924. This robe is to be worn on the outside of other garments, in order to display to best advantage the gold embroidery on the white, green, and deep blue silk representing the sights of the city of Kyoto. The watery motif of the deep blue ground inspires a stillness of presence and is directly evocative of the cool waters surrounding Japan. White picks out sacred torii gates, whereas the green hills of Japan may be easily distinguished.
2. Sake cup
3. Genji Scrolls: Spring Shoots II Anonymous, c. 1120-1140. Painted handscroll. Tokugawa Art Museum. The Genji scrolls are a national treasure, depicting the story of a young man and his adventures in the luxurious Heian court. The representation of the landscape in these scrolls are examples of yamato-e, a painting style that showcases the lush landscape of Japan in green hills and swathes of golden clouds. Here, green indicates the freshness in the tatami flooring, wherein the fresher the more luxurious.
4. Irises Ogata Korin (1658-1716), 18th century. Screen painting. Nezu Museum. The Rinpa school of painting revolutionized the representation of color, with its broad expanses of color and abstraction of space in favor of these planes. Taking yamato-e as inspiration with its swathes of gold and treatment of naturalistic scenes, Rinpa painting often uses hues like rich green to represent the lush Japanese landscape.
5. Kinrande kogo (incense container)
Green Ana Drinovan
Contents of this annotation:
1. Edo period uchikake Edo period uchikake (outer robe). 19th century. Gifted to the Museum of Fine Arts, Boston in 1924. This robe is to be worn on the outside of other garments, in order to display to best advantage the gold embroidery on the white, green, and deep blue silk representing the sights of the city of Kyoto. The watery motif of the deep blue ground inspires a stillness of presence and is directly evocative of the cool waters surrounding Japan. White picks out sacred torii gates, whereas the green hills of Japan may be easily distinguished.
2. Genji Scrolls: Spring Shoots II Anonymous, c. 1120-1140. Painted handscroll. Tokugawa Art Museum. The Genji scrolls are a national treasure, depicting the story of a young man and his adventures in the luxurious Heian court. The representation of the landscape in these scrolls are examples of yamato-e, a painting style that showcases the lush landscape of Japan in green hills and swathes of golden clouds. Here, green indicates the freshness in the tatami flooring, wherein the fresher the more luxurious.
3. Funaki ware
4. Irises Ogata Korin (1658-1716), 18th century. Screen painting. Nezu Museum. The Rinpa school of painting revolutionized the representation of color, with its broad expanses of color and abstraction of space in favor of these planes. Taking yamato-e as inspiration with its swathes of gold and treatment of naturalistic scenes, Rinpa painting often uses hues like rich green to represent the lush Japanese landscape.