Trauma, Memory and Confinement: (Re)presentations of Space in Dictatorial Cinema Main MenuTrauma, Memory and Confinement: (Re)presentations of Space in Dictatorial CinemaAcknowledgementsIntroductionHow Entertainment (Re)Presents Prison SpacesIntroductionThe Activist-Journalist and the Power of the DocumentaryIntroductionConclusionBibliographyMadison Felman-Panagotacos798f6eba7d279010fcb70a7aee7d3c6be69dcd69Leticia Trevinod71cffbca5112765ee9898818790fd5262d5098b
Filmic Redefinitions of Spaces of Confinement
1media/IMG_3434.PNG2017-05-23T14:09:30-07:00Leticia Trevinod71cffbca5112765ee9898818790fd5262d5098b1847016Introductionimage_header4563462017-06-14T17:18:21-07:00Leticia Trevinod71cffbca5112765ee9898818790fd5262d5098bThe first three films that we looked at focused on the presentation of the spaces of confinement and reflecting the testimonies of the victims. In this last section, we look at the ways in which those spaces of confinement can be redefined or re-purposed. El secreto de sus ojos and “Memoria Colectiva” function on the level of re-presentation as the construction of the prison spaces effectively develop as re-constructions.
Contents of this path:
12017-05-30T16:17:29-07:00Madison Felman-Panagotacos798f6eba7d279010fcb70a7aee7d3c6be69dcd69Inverting Power Dynamics in the Prison3plain2017-06-14T17:20:04-07:00Leticia Trevinod71cffbca5112765ee9898818790fd5262d5098b
12017-05-30T16:06:18-07:00Madison Felman-Panagotacos798f6eba7d279010fcb70a7aee7d3c6be69dcd69Memorializing the Prison Space14plain2017-06-14T17:22:05-07:00Leticia Trevinod71cffbca5112765ee9898818790fd5262d5098b