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Melissa Chan IML 501 PortfolioMain MenuAn Overview + Information ArchitectureOwnership and AuthorshipCritique and PracticeProjectsMelissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18
Temporal Media Breaks
1media/ferris.jpg2017-11-16T15:10:35-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18258986splash5476542017-12-12T11:29:21-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18
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1media/dairy company.jpg2017-11-12T14:18:39-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18Melissa ChanMelissa M. Chan9IML 501 Fall 2017 Portfoliobook_splash2017-12-12T11:26:52-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18
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1media/ferris.jpg2017-11-07T19:01:18-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18Regarding the Pain of Others/ Strange Beauty8A Response to Susan Sontag & Hannah Hochimage_header2017-12-12T11:28:54-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18
1media/neon lights.jpg2017-11-07T19:03:28-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18Mulvey, Videographic Criticism and Documentary Modes, and A Thrilla in ManiLA8A Response to Laura Mulvey, Drew Morton, and Geoffrey V. Carterimage_header2017-12-12T11:31:52-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18
1media/walkway.jpg2017-11-12T12:54:11-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18The Rationale of Hypertext6A Response to Jerome McGannimage_header2017-12-12T11:30:44-08:00Melissa M. Chan807710a760198fde2f096a6b49e2e6d3a882ce18