Cass Gilbert's Woolworth BuildingMain MenuIntroductionArchitectural Drawings of the Woolworth BuildingThese pages contain original architectural drawings from Vanderbilt University Fine Art Gallery's Reiman Collection, completed by Cass Gilbert's architectural office between 1911 and 1913.Architectural ComparisonsConstructionContemporary ReactionsEngineeringHistorical ContextRepresentations of the Woolworth Building in Visual Art and LiteratureSkyscraper StyleUrban ContextBibliographyEllen Dement42442c14bff120b6e83827404fe0b851fdc8a6df
John Marin
12017-12-13T11:55:16-08:00Elizabeth Horner0a58463282c8174eba50dc8c23ac40cfc0cb6a3a146347Alfred Stieglitz, 1921-1922; Art Institute of Chicago, Chicago, ILplain2017-12-13T14:08:35-08:001921/22Gelatin silver printAlfred StieglitzElizabeth Horner0a58463282c8174eba50dc8c23ac40cfc0cb6a3a
12017-12-13T11:53:45-08:00John Marin's Woolworth Building17plain2017-12-30T16:30:37-08:00John Marin (1870-1953) was an American artist who produced a prolific body of work in etching, oil paint, and watercolor, the last being the medium for which he is best known. Not a member of any artistic movement of the early twentieth-century, Marin stands out as an artist who truly forged his own path and style. In the mid-1890s, he studied architecture at the Stevens Institute of Technology.[1] Marin recorded that he spent four years working in architects’ offices, and some time doing freelance work thereafter.[2] Scholars credit this experience as an architectural draughtsman for the importance of drawing in Marin’s artistic practice and his preservation of the solidity of built forms.[3]
In 1905, Marin left for Paris, where he found his first commercial success working in etchings.[4] He met other American artists, and made connections that would eventually lead him to Alfred Stieglitz. Importantly, Marin’s time in Paris introduced him to themes of modernity, both in art and architecture. The Eiffel Tower had been completed less than two decades earlier, and is still pointed to as an icon of urban modernity today. Marin studied and worked primarily in Paris between 1905 and 1910, and frequently traveled to other European cities during this time. He returned to New York City briefly in 1910 for his first solo show at the 291 Gallery, and then permanently in 1911; he never left America again.[5]
[1] Jessica Murphy, “John Marin,” in Stieglitz and His Artists: Matisse to O’Keeffe. ed. Lisa Mintz Messenger (New York: The Metropolitan Museum of Art, 2001): 156.
[2] John Marin, The Selected Writings of John Marin. ed. Dorothy Newman (New York: Pellegrini & Cudahy, 1949), ix.
[3] Martha Tedeschi, “Great Forces at Work: John Marin’s New York,” in John Marin’s Watercolors: A Medium for Modernism. ed. Martha Tedeschi and Kristi Dahm. (Chicago: Art Institute of Chicago, 2010), 124.
