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“If caa.reviews were performance.reviews?”Main MenuIntroduction: “If caa.reviews were performance.reviews?”This jointly authored review of Boris Charmatz’s If Tate Modern Was Musée de la Danse? (2015) inaugurates a new initiative, spearheaded by the editorial board of caa.reviews, to review time-based media. The increasing prominence of dance, performance, video, film, and sound works in museum and gallery exhibitions gives caa.reviews an opportunity not simply to broaden the journal’s scope, but also to bring a range of diverse perspectives to bear on this growing phenomenon. By inviting scholars of dance to write this review, we hope to show how caa.reviews can become a forum for interdisciplinary dialogue on artworks and institutions of interest to members of distinct but related scholarly and creative communities. In the spirit of Charmatz, we ask, “what if caa.reviews were performance.reviews?”Unauthorized Performance in the Turbine HallMuseum Metaphysics: 20 Dancers for the XX Century and Dance’s Ontology in the MuseumAdrénaline: A Dance Floor for Everyone and expo zéroFloor MapCredits
1media/TTV_Adrenaline_1.jpg2016-02-03T10:19:29-08:00Francisco Millan221fbc82d2a783571cc8cb0353a2d50ec882ba8eAdrénaline: A Dance Floor for Everyone8plain2016-02-03T10:31:08-08:00Francisco Millan221fbc82d2a783571cc8cb0353a2d50ec882ba8e
1media/AS_A bras le corps_Turbine.JPG2016-02-03T10:05:31-08:00Francisco Millan221fbc82d2a783571cc8cb0353a2d50ec882ba8eUnauthorized Performance in the Turbine Hall5image_header2016-02-03T10:51:30-08:00Francisco Millan221fbc82d2a783571cc8cb0353a2d50ec882ba8e