Bibliography for "Introduction: Multimedia and Multimodal Theatricality" -- Patricia Fumerton
Carr, James Revell. “‘An Harmlesse Dittie’: Ballad Music and Its Sources.” English Broadside Ballad Archive, ed. Patricia Fumerton. https://ebba.english.ucsb.edu/page/ballad-music-sources.
Chess, Simone. “Shakespeare’s Plays and Broadsides.” Literature Compass. 7, no. 9 (2010): 773-785.
Early Modern Theatricality. Ed. Henry S. Turner. Oxford Twenty-First Century Approaches to Literature. Oxford: Oxford University Press, 2013.
Fumerton, Patricia. “Digitizing Ephemera and Its Discontents: EBBA’s Quest to Capture the Protean Broadside Ballad.” In Studies in Ephemera: Text and Image in Eighteenth-Century Print, edited by Kevin Murphy and Sally O’Driscoll, 55-98. Lewisburg: Bucknell University Press, 2013.
-----. Introduction to Moving Media and Tactical Publics: The Broadside Ballad in Early Modern England. Forthcoming University of Pennsylvania Press, 2018.
-----. “Digging ‘Veritable Dunghills’: The Re-Appreciation of English Broadside Ballads.” In Blackwell Companion to Renaissance Poetry, edited by Catherine Bates. Forthcoming, Oxford: Wiley Blackwell, 2018.
-----. “Why the Broadside Ballad?.” In The Making of Making of a Broadside Ballad, edited by Patricia Fumerton, Andrew Griffin, and Carl Stahmer. UCSB: EMC Imprint Press, 2017, http://press.emcimprint.english.ucsb.edu/the-making-of-a-broadside-ballad/why-broadside-ballads, accessed 21 May 2017.
Fumerton, Patricia, Andrew Griffin, and Carl Stahmer, eds. The Making of Making of a Broadside Ballad. UCSB: EMC Imprint Press, 2017, http://press.emcimprint.english.ucsb.edu/the-making-of-a-broadside-ballad/, accessed 3 March 2017.
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Lin, Erika T. “Festivity.” In Early Modern Theatricality, Oxford Twenty-First Century Approaches to Literature, edited by Henry S. Turner, 228-29. Oxford: Oxford University Press, 2013.
Norman, Donald A. The Psychology of Everyday Things. New York, Basic Books, 1988.
Palmer, Megan E. “Desdemona’s Disordered Ballad.” Paper presented at 43rd Annual Meeting of the Shakespeare Association of America, Vancouver, British Columbia, March 4, 2015.
Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: Chicago University Press, 1999.
-----. “Putting the ‘Ball’ back in Ballads.” In Living English Broadside Ballads, 1550-1750: Song, Art, Dance, Culture, edited by Patricia Fumerton, special issue of Huntington Library Quarterly, 79, no. 2 (2016): 323-38.
-----. “Shakespeare’s Residuals: The Circulation of Ballads in Cultural Memory.” In Shakespearean and Elizabethan Popular Culture, Arden Companion to Shakespeare, edited by Neil Rhodes and Stuart Gillespie, 193-246. Arden Companion to Shakespeare. Toronto: Thompson Educational Publishing, 2006.
Turner, Henry S., ed. Early Modern Theatricality. Oxford Twenty-First Century Approaches to Literature. Oxford: Oxford University Press, 2013.
Watt, Tessa. 1991. Cheap Print and Popular Piety, 1550-1650. Cambridge: Cambridge University Press.
West, William N. “Intertheatricality.” Early Modern Theatricality (Oxford Twenty-first Century Approaches to Literature). Ed. Henry S. Turner. Oxford: Oxford University Press (2013): 151-172.
Weinstein, Helen. Catalogue of the Pepys Library at Magdalene College, Cambridge, Vol. 2: Ballads, Part i: Catalogue. Cambridge, UK: D. S. Brewer, 1992.
Wong, Katrine K. Music and Gender in English Renaissance Drama. London: Routledge, 2015.
Worthern. W. B. Drama: Between Poetry and Performance. Chichester, UK: Wiley-Blackwell, 2010.
Wurzbach, Natascha. The Rise of the English Street Ballad, 1550-1650. Translated by Gayna Walls. Cambridge: Cambridge University, 1990.