Ballads and Performance: The Multimodal Stage in Early Modern England

"The True Form and Shape of Caliban: Monstrosity and Wonder in 'The Tempest'"

Good reviews of post-colonial readings can be found in the work of critics who argue for moving beyond this approach, such as Meredith Anne Skura (“Discourse and the Individual,” 42-47) and David Scott Kastan (“The Duke of Milan / And His Brave Son,” 334-37). For a comprehensive history of our changing interpretations of Caliban, see Vaughan and Vaughan’s Shakespeare’s Caliban.

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