Ballads and Performance: The Multimodal Stage in Early Modern England

"The True Form and Shape of Caliban: Monstrosity and Wonder in 'The Tempest'"

For a discussion of the attitudes toward the human-animal divide in the early modern period, especially the sense of “a deeply felt instability” (Höfele, Stage, Stake, and Scaffold, 24), see Erica Fudge Perceiving Animals: Humans and Beasts in Early Modern English Culture; Erica Fudge, Ruth Gilbert, and Susan Wiseman, eds. At the Borders of the Human: Beasts, Bodies, and Natural Philosophy in the Early Modern Period; and Höfele’s Stage, Stake, and Scaffold: Humans and Animals in Shakespeare’s Theatre. For a discussion of “the animal question in Shakespeare” (21), see Heffernan (1-55).

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