Ballads and Performance: The Multimodal Stage in Early Modern England

"The True Form and Shape of Caliban: Monstrosity and Wonder in 'The Tempest'"

Critics who wish to insist that Caliban is fully human tend to stumble over this passage. See, for example, Andreas Höfele who comments, “What ‘human shape’ concedes, ‘litter’ and ‘freckled whelp’ take away” (Stage, Stake, and Scaffold, 242).

This page is referenced by: