Ballads and Performance: The Multimodal Stage in Early Modern EnglandMain MenuIntroduction: Multimedia and Multimodal TheatricalityShakespeare in Snippets: Ballads, Plays, and the Performance of Remediation"Hear for your love, and buy for your money": Ballads and Theater as Experiential Commodities"She’s Crafty, She Gets Around: Women’s Craft and Commodification in Ballads"Dangerous Conjectures": Ophelia’s Ballad PerformanceBallads on the Brain: A Neurobiological HypothesisThe True Form and Shape of Caliban: Monstrous Birth at the Edge of the Human"Greensickness carrion": Re-reading Capulet through Broadside BalladsBallads+: The Tragedy of Romeo and Juliet and its After-piece JigAfterwordContributorsAcknowledgmentsPatricia Fumerton3016f95733e67d772eccfb1c6dfb5ea8694eb4bbEMC Imprint
Ophelia's Mad Scene.
12018-06-29T05:45:32-07:00Phillip Cortese0765ef0b7bac2de1106953cfa66f5580719501477562The clip above from the 1980 BBC production (dir. Rodney Bennett) features Ophelia’s two entrances in the fourth act, and include most of the lines from 1-73 and 151-214 .plain2018-06-29T15:47:56-07:00Andrew Griffina377d59869f8d3ced2e4abd0e9d36b5645e16eb0