Ballads and Performance: The Multimodal Stage in Early Modern EnglandMain MenuIntroduction: Multimedia and Multimodal TheatricalityShakespeare in Snippets: Ballads, Plays, and the Performance of Remediation"Hear for your love, and buy for your money": Ballads and Theater as Experiential Commodities"She’s Crafty, She Gets Around: Women’s Craft and Commodification in Ballads"Dangerous Conjectures": Ophelia’s Ballad PerformanceBallads on the Brain: A Neurobiological HypothesisThe True Form and Shape of Caliban: Monstrous Birth at the Edge of the Human"Greensickness carrion": Re-reading Capulet through Broadside BalladsBallads+: The Tragedy of Romeo and Juliet and its After-piece JigAfterwordContributorsAcknowledgmentsPatricia Fumerton3016f95733e67d772eccfb1c6dfb5ea8694eb4bbEMC Imprint
12017-07-06T21:21:46-07:00Phillip Cortese0765ef0b7bac2de1106953cfa66f55807195014Figure 5.1Pieter Bruegel the Elder, Peasant Dance (Detail), in Peter Burke, Popular Culture in Early Modern Europe, 3rd Ed (London: Routledge, 2009).media/g.jpgplain2017-07-06T21:21:47-07:00Phillip Cortese0765ef0b7bac2de1106953cfa66f55807195014
