Ballads and Performance: The Multimodal Stage in Early Modern England

"'Hear for your love, and buy for your money': Ballads and Theater as Experiential Commodities"

Lantern’s response echoes the Induction’s concerns about audience reception: “do not you breed too great an expectation of it, among your friends: that’s the only hurter of these things” (5.4.12-13).

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