Ballads and Performance: The Multimodal Stage in Early Modern England

"'Hear for your love, and buy for your money': Ballads and Theater as Experiential Commodities"

The Scrivener’s list details that the audience may (but shouldn’t) criticize the play, disrupt the play by leaving early, listen to other people’s criticism of the play, judge the play by their own bias rather than its merits, reject a play that does not meet their expectation, and incorrectly identify fictional characters of the play as depictions of current figures of importance.

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