Ballads and Performance: The Multimodal Stage in Early Modern England

"'Hear for your love, and buy for your money': Ballads and Theater as Experiential Commodities"

See Danielle Bonneau, “On Merrythought’s Singing, with a Glance at Sir Toby,” Edwin S. Lindsey, “The Original Music for Beaumont’s Play ‘The Knight of the Burning Pestle,’” and Katrine K. Wong, “A Dramaturgical Study of Merrythought’s Songs in The Knight of the Burning Pestle.”

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