Diokno - Works Cited

Braidotti, Rosi. "Allegro, ma non troppo: On Feminist Becomings." Intermedialities: Philosophy, Arts, Politics. Eds. Henk Oosterling and Ewa Plonowska Ziarek. Lanham: Lexington Books, 2011. 99-111. Print.

Deleuze, Giles and Felix Guattari. “Introduction.” A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: University of Minnesota Press, 2005. 3-26. Print.

Elston, M. Melissa. “Subverting Visual Discourses of Gender and Geography: Kent Monkman’s Revised Iconography of the American West.” The Journal of American Culture 35.2 (2012): 181-190. Print.

Perillo, J. Lorenzo. “’If I was not in prison, I would not be famous’: Discipline, Choreography, and Mimicry in the Philippines.” Theatre Journal 63.4 (2011): 607-621. Print.

Peterson, William. “Amazing Show in Manila: ‘Fantasy-Production’ and Filipino Labor in a Transnational, Transcultural, Transgendered Theatre Enterprise.” Theatre Journal 63.4 (2011): 587-605. Print.

Tiatco, Anril Pineda. “The Silenced Body of The Silenced Soprano: The Overseas Filipino Worker as Silent and Erased in a Global City.” Asian Theatre Journal 30.2 (2013): 415-444. Print.

Wyatt, Jonathan et al. “Deleuze and Collaborative Writing: Responding to/With JKSB.” Cultural Studies ↔ Critical Methodologies 14.4 (2014). 407-416. Print.

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