Sign in or register
for additional privileges

Endless Question

Youth Becomings and the Anti-Crisis of Kids in Global Japan

dwayne dixon, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Departures

At the Daitabashi station I looked across the tracks at Emily and Katrina, two Japanese-American sisters who also taught late on Saturdays.

We waited on the opposite platforms. Emily held her sister’s mittened hand, dusk of late winter shadowing their faces. Weariness was shared between us three, once the last of our child-students has  noisily pushed stubborn feet into shoes in the tiny genkan and idled off into the evening. My breath steamed before me as I waved to both of  them, respiratory signal dissipating along with the chance that they’d see my silent farewell before their arriving train clotted the space
between us.  Alone on my platform, I watched through the glass as they boarded the glowing hollow of the car. 

They both sat, their backs to me. 

Katrina, on the left, leaned her head against Emily’s waiting shoulder as the train pulled away towards Shimokitazawa.
Comment on this page
 

Discussion of "Departures"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Kikokushijo Academy: A School for Japanese with a Difference, page 10 of 11 Next page on path

Related:  Normalized Risks for Abnormal FuturesEmiko: Every Tool is a WeaponThey Never Heal: Endless QuestionsConclusion: What is this Place Called? Japan's Kids and BecomingKikokushijo Academy: Reconstituting the Past and Mimicking the FamilyGetting Close to Machine and MethodConstituting the (Affective) Family in Disneyland DragSurviving TokyoGetting the Make, Getting the Data: Trance-ActionDisappearing at the ThresholdLesque: On a Pacific Rim Periphery of Global SkatingMami: Kikokushijo Identity and the Global Rhizome of Memory and FantasyHarajuku DriftWomen Serving Men: Hostess Clubs and a Genealogy of Gendered, Affective WorkLesque, Japan's Underground Skate CompanyDifference Abroad, Difference at Home: Mimesis and Cultural Drift in K.A.Taro Hirano, Pool No. 2, 2008The Uncanny Difference of the Kikokushijo and HeterotopiaLesque: The House--Skateboard Family As (Male) Youth CultTakashi, the Stylist: Translating Cultural CoolYouth PracticesBustedTokyo Skateboard LocalSkateboard Mei-kuItoshinLesqueUnexpected Train Encounter: Saori's SadnessKids in the CityErina and Creative Work at the MarginsLesque: Young Men at WorkGetting the Make: Making ItKikokushijo Academy: A School for Japanese with a DifferenceStaging the ShotLesque and Global VisibilityGetting the MakeGetting the Make, Getting the Data: A Total Machine on ScreenLesque: Homosocial Continuity Amid Global DriftFailure, Skating, and the (Male) BodyCollecting the Authentic City: Location Scouting in Cell Phone Photo LibrariesSloan's Skates, Cocoa Beach, FLA, 1986Drifting Back: Uncanny Itineraries (Florida-Iwate-Tokyo)