Heterotopia

Endless Question

Youth Becomings and the Anti-Crisis of Kids in Global Japan

dwayne dixon, Author

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Heterotopia

This page is a tag of:

Taro Hirano, Pool No. 2, 2008, Emiko: Every Tool is a Weapon, The Uncanny Difference of the Kikokushijo and Heterotopia, Departures, Mami: Kikokushijo Identity and the Global Rhizome of Memory and Fantasy, Conclusion: What is this Place Called? Japan's Kids and Becoming, Sloan's Skates, Cocoa Beach, FLA, 1986, Skateboard Mei-ku, They Never Heal: Endless Questions, Difference Abroad, Difference at Home: Mimesis and Cultural Drift in K.A. View all tags

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Empty Pools: Failed Space/Space to Fail Willingness to be thrown by things theory

Related: Normalized Risks for Abnormal Futures, Disappearing at the Threshold, theory, Rakers: Mediated, Youth Gladiators on Skateboards at the End of the World, Erina and Creative Work at the Margins, Margaret Mead and the Anthropology of the Child, Entranced Movement and Moving Truths, Mami: Kikokushijo Identity and the Global Rhizome of Memory and Fantasy, Getting Close to Machine and Method, Anti-Crisis of Kids In Global Japan, Youth Becomings and Japan's Anti-Crisis, Situating Youth Studies within Globalization, Willingness to be thrown by things, Emiko: Every Tool is a Weapon, Tokyo Skateboard Local, Conclusion: What is this Place Called? Japan's Kids and Becoming, Constituting the (Affective) Family in Disneyland Drag, Global youth imaginary and the ethnographic site, Tokyo as Neo-Techno-Future and Material Bodies as Counter-Affect, Diagnosing Place: Walking Through the Skin of Another Life, The Uncanny Difference of the Kikokushijo and Heterotopia