Soul Sides / Sliced: Breaking Beats Down Main MenuBreaking Down: The Emotions' "Blind Alley" (Stax, 1972)Breaking Down: Sly and the Family Stone's "Sing a Simple Song" (1968)Joseph Schloss dissects Sly and the Family Stone's "Sing a Simple Song"Breaking Down: Cypress Hill's "How I Could Just Kill a Man"Breaking Down: The Impressions' "My Deceiving Heart"Breaking Down: The Souls of Mischief's "A Name I Call Myself" (1993)Oliver Wang918df11fe894a275490c89b013e2201b6eff6a54Loren Kajikawa8a2c7f4e0e5b2e790c0572a2adabcbdd73c09bf4Joseph Schloss0f83890ec22453923318b29cd83fe024cee91d9aBack to Soul Sides12011-10-02T00:13:39-07:00Oliver Wang918df11fe894a275490c89b013e2201b6eff6a54781Sly Stone had been a producer for other musicians before starting his own recording career, so it was natural for him to express himself not only through his voice or instruments, but also through the studio itself. The rise of stereo multi-track recording in the late sixties allowed producers to experiment with new effects like “panning,” the ability to place sounds at different locations in the stereo field.plain2011-10-02T00:13:39-07:00Oliver Wang918df11fe894a275490c89b013e2201b6eff6a54
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12011-10-01T23:30:31-07:00Oliver Wang918df11fe894a275490c89b013e2201b6eff6a54Sly and the Family Stone's "Sing a Simple Song" (1968)1Sly and the Family Stone's "Sing a Simple Song" (1968)plain2011-10-01T23:30:31-07:00Oliver Wang918df11fe894a275490c89b013e2201b6eff6a54