2-10: point two, endnotes
[1] Qtd. in Eugene Thacker, "Biomedia," in Critical Terms for Media Studies. Ed. W.J.T. Mitchell and Mark B.N. Hansen, Chicago: University of Chicago Press, 2010, p.122.
[2] Qtd. in Bruce Clarke, "Information," in Critical Terms for Media Studies, p.165.
[3] W.J.T. Mitchell and Mark B.N. Hansen, "Introduction," in Critical Terms for Media Studies, p. xi.
[4] Thacker, p.117.
[5] See N. Katherine Hayles, "Intermediation and the Regime of Computation," in My Mother was a Computer: Digital Subjects and Literary Texts. Chicago: University of Chicago Press, 2005.
[6] Hayles, "Cybernetics," in Critical Terms for Media Studies, p.146
[7] Ibid., p.146.
[8] Thacker, "Biomedia," p. 120.
[9] Ibid., p.120.
[10] Galloway, Protocol, pp.110-115.
[11] Thacker, p.122.
[12] Ibid., p.123.
[13] Here I am referring to the more traditional and ubiquitous brand of media studies which Geert Lovink has denounced as "vapor theory" and which Horn's more flexible concept of media reacts against.
[14] Jussi Parikka, "Copy," in Software Studies: A Lexicon. Ed. Matthew Fuller. Cambridge: MIT Press, 2008, p.70.
[15] Parikka, p.74.
[16] Bill Brown, "Materiality" in Critical Terms for Media Studies, p.51.
[17] Ibid., p.53.
[18] Parikka, p.72.
[19] Brown, p.55.
[20] Parikka, Digital Contagions, p.246.
[21] Brown, p.54.
[22] Ibid., p.52.
[23] Wendy Hui Kyong Chun, "On Software: Or the Persistance of Visual Knowledge," JSTOR: Grey Room, No. 18 (Winter, 2004), pp. 26-51. Web. 29 June 2010.
[24] Chun, Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: The MIT Press, 2008, pp. 3-4.
[25] Brown, p.54.
[26] Marco Deseriis, "Text Virus," in Software Studies: A Lexicon, p.252.
[2] Qtd. in Bruce Clarke, "Information," in Critical Terms for Media Studies, p.165.
[3] W.J.T. Mitchell and Mark B.N. Hansen, "Introduction," in Critical Terms for Media Studies, p. xi.
[4] Thacker, p.117.
[5] See N. Katherine Hayles, "Intermediation and the Regime of Computation," in My Mother was a Computer: Digital Subjects and Literary Texts. Chicago: University of Chicago Press, 2005.
[6] Hayles, "Cybernetics," in Critical Terms for Media Studies, p.146
[7] Ibid., p.146.
[8] Thacker, "Biomedia," p. 120.
[9] Ibid., p.120.
[10] Galloway, Protocol, pp.110-115.
[11] Thacker, p.122.
[12] Ibid., p.123.
[13] Here I am referring to the more traditional and ubiquitous brand of media studies which Geert Lovink has denounced as "vapor theory" and which Horn's more flexible concept of media reacts against.
[14] Jussi Parikka, "Copy," in Software Studies: A Lexicon. Ed. Matthew Fuller. Cambridge: MIT Press, 2008, p.70.
[15] Parikka, p.74.
[16] Bill Brown, "Materiality" in Critical Terms for Media Studies, p.51.
[17] Ibid., p.53.
[18] Parikka, p.72.
[19] Brown, p.55.
[20] Parikka, Digital Contagions, p.246.
[21] Brown, p.54.
[22] Ibid., p.52.
[23] Wendy Hui Kyong Chun, "On Software: Or the Persistance of Visual Knowledge," JSTOR: Grey Room, No. 18 (Winter, 2004), pp. 26-51. Web. 29 June 2010.
[24] Chun, Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: The MIT Press, 2008, pp. 3-4.
[25] Brown, p.54.
[26] Marco Deseriis, "Text Virus," in Software Studies: A Lexicon, p.252.
| Previous page on path | Point 2 Path, page 10 of 10 | Path end, return home |
Discussion of "2-10: point two, endnotes"
Add your voice to this discussion.
Checking your signed in status ...