The narrative excludes documentation of the top-down planning by the IPC that was necessary to map and execute the pipeline project. Much of the film, in fact, is a presentation of images through montage capturing Arab laborers participating in the 'bottom-up' image of pipeline construction. The film presents long sequences of
men at work, welding, lifting and waiting patiently on the constantly moving job site as the tedium of construction goes on. In the film and related promotional materials, images of the oil company’s non-Iraqi representatives and experts remain virtually absent, except when white supervisors in European dress are shown speaking with men on the ground. Ultimately,
The Third River defines the project of oil extraction as a logical extension of the country’s natural wealth, a foundation for the promise of national development, signified by modernization in the capital, and a stage for workforce productivity and co-operation.