Urban Sights: Urban History and Visual Culture

A New Agreement

In the immediate aftermath of the British evacuation from Iran, the Iraqi government used its increased leverage with the British company to renegotiate the existing terms of the IPC concession as a 50-50 profit sharing agreement, following the precedent set by ARAMCO in Saudi Arabia. Iraq’s output increased dramatically to fill the vacuum left by the hiatus of Iranian oil production for the world market. Iraq then established a national development board to funnel increased oil revenues into development programs that would play a major role in shaping the social, economic, and material environments of these young countries.

During the rise of Arab nationalism and in light of political events including the Israeli occupation of Palestine in 1948, subsequent Arab-Israeli Wars and later the Suez Crisis in 1956, the discontent of oil workers was bolstered by the mounting criticism of petroleum companies as harbingers of British imperialism in oil-producing countries. Sustained British military presence in the country and its support for the Israeli occupation of Palestine fueled populations and governments not only of Iran but also its neighboring Arab countries to challenge the British oil companies’ advantageous position in the region, and namely their total control over oil production. The confidential 1948 IPC report Anti-British Sentiment on Iraq reads, “One thing is certain, as long as Great Britain has bases in Iraq she is bound to attract hostility. A foreign occupation, however tactfully and discreetly disguised, is never a pleasant thing, and Iraqi opposition to this is natural and certain.”

From the late 1940s onwards, the production of publications and documentary films, showcasing cities as representations of the promise of modernity, dominated the efforts of oil company public relations offices from Iran to Kuwait (Damluji, forthcoming). The decade saw the simultaneous rise of postcolonial nation-states in the Middle East and the rise of the oil industry during the Second World War. This marked a historical moment when oil companies had to operate on new terms and communicate with national subjects (i.e. citizens) as opposed to heads of state alone. As the following section will examine, IPC’s cinematic representations of modern Baghdad worked within Iraq to justify Britain’s ongoing neo-colonial project of oil extraction.

This page has paths:

This page is referenced by: