Art vs. Actuality
In the course of these accounts, survivors offer impromptu thoughts on the nature of mediating Holocaust narratives, reflecting in particular on the issue of cinematic verisimilitude and its limits. Several survivors—Solomon Salat, Israel Arbeiter, Zoltan Gluck —remark on the discrepancy between their actual experience and the film’s representation of the Holocaust, citing the greater enormity of the actuality.
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