Some survivors find in Schindler’s List a productive impetus to the act of imagining as a point of entry to remembrance. Goldy Zylberszac-Junger, who spent the war in hiding in Belgium, invokes the film when speaking of a relative who had died during the war.  Horst Senger, who had fled Germany during the war, regards the film as an aid to survivors’ remembrance by stimulating the imagination.  

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