Sign in or register
for additional privileges

Chaos and Control

The Critique of Computation in American Commercial Media (1950-1980)

Steve Anderson, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Demon Seed (1977)

Donald Cammell's techno-horror film Demon Seed (1977) contains one of the most bizzarre and disturbing visions of computer intelligence of the mainframe era. The computer, known as the Proteus IV, is described as an "artificial brain" that possesses "an intelligence that can out-think any man, any computer." A hybrid organic-technological processor allows Proteus IV to achieve sentience, whereupon it attempts to break out of its physical constraints. Failing this, the computer's consciousness travels through the network and compels its creator's wife (Julie Christie) to bear its child, a human-computer hybrid that combines human mobility with computer intelligence.

In this narratively inconsequential scene, the domestic surveillance cameras now controlled by Proteus watch salaciously as Christie steps out of the shower. As in the foreplay sequences of Colossus: The Forbin Project, audiences view the scene through the "eyes" of an increasingly sentient supercomputer and are thus invited to share its indulgence in voyeuristic pleasure.
Comment on this page
 

Discussion of "Demon Seed (1977)"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Surveillance and Computation, page 5 of 7 Next page on path