Artistry
William Butler Yeats grew up within an artistic household. His father, John Butler Yeats, was a renowned painter; his brother, Jack B. Yeats, would gain even greater fame as a painter and would write a few plays; his sisters, Lily and Lolly, were printers who produced their famous brother's poetry and drama in publication form. W. B. studied painting, wrote poetry, founded a national theatre and wrote plays that varied widely in form, though symbolism always remained an inherent part of his work. While many today think of Yeats as a poet first, he considered himself a man of the theatre, first and foremost. It is likely that this part of his artistic nature loomed largest for him because it is the artistic space in which the creator, the creation, and the audience meet. As a playwright and theatrical producer, he became both personal artist and public man.
*We have chosen to indicate each play by its earliest publication or production date since that is when it would have achieved a first audience.
Sources:
Fisher, James. “William Butler Yeats (1865-1939).” Irish Playwrights, 1882-1995: A Research and Production
Source:
Wedin, Warren. "Collected Poems of W.B. Yeats." California State University, Northridge. CSUN.edu 17 June 2015.
Though this guide is concerned primarily with one of Yeats' poems, engagement with the context and legacy of an author is always necessary to understand any individual work fully. In the interest of providing a complete view of Yeats' work, we provide the tables below, wherein can be found Yeats' complete plays and poems listed by year.
*We have chosen to indicate each play by its earliest publication or production date since that is when it would have achieved a first audience.
Play Title | Year |
---|---|
The Countess Cathleen | 1892 |
The Land of Heart's Desire | 1894 |
The Shadowy Waters | 1900 |
Where There Is Nothing; co-authors Lady Gregory and Douglas Hyde | 1902 |
The Pot of Broth | 1902 |
Cathleen Ni Houlihan | 1902 |
The Hour Glass | 1903 |
The King's Threshold | 1903 |
On Baile's Strand | 1904 |
Oedipus the King; an adaptation of Sophocles' play | 1905 |
Deirdre | 1907 |
The Unicorn from the Stars | 1907 |
The Golden Helmet | 1907 |
The Player Queen | 1908 |
The Green Helmet | 1909 |
At the Hawk's Well | 1916 |
The Dreaming of the Bones | 1917 |
The Only Jealousy of Emer | 1919 |
Calvary | 1921 |
The Cat and the Moon | 1924 |
The Resurrection | 1927 |
Fighting the Waves | 1927 |
Oedipus at Colonus; an adaptation of Sophocles' play | 1927 |
The Words upon the Window Pane | 1930 |
The King of the Great Clock Tower | 1934 |
A Full Moon in March | 1935 |
The Herne's Egg | 1937 |
Purgatory | 1938 |
Cuchulain | 1939 |
Sources:
Fisher, James. “William Butler Yeats (1865-1939).” Irish Playwrights, 1882-1995: A Research and Production
Sourcebook. Ed. Bernice Schrank and William W. Demastes. Westport, CT: Greenwood Press, 1997. 402-417.
Playography Ireland. Irish Theatre Institute. Web. 16 June 2015.
Poetry Collection Title | Year |
---|---|
Crossways | 1889 |
The Rose | 1893 |
The Wind Among the Reeds | 1899 |
In the Seven Woods | 1904 |
The Green Helmet and Other Poems | 1910 |
Responsibilities | 1914 |
The Wild Swans at Coole | 1919 |
Michael Robartes and the Dancer | 1921 |
The Tower | 1928 |
The Winding Stair and Other Poems | 1933 |
Narrative and Dramatic | 1933 |
Parnell’s Funeral and Other Poems | 1935 |
New Poems | 1938 |
Last Poems | 1938 |
Source:
Wedin, Warren. "Collected Poems of W.B. Yeats." California State University, Northridge. CSUN.edu 17 June 2015.
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