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Text, Identity, Subjectivity

Finding Ourselves in Literature and Art

James Rovira, Author

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Sitewide Works Cited Page

Note: this page is in an incompletely edited state. Sitewide inline citations are still in the process of being edited for consistency.

The following abbreviations are used sitewide:

CA: See Kierkegaard, The Concept of Anxiety.
CUP: See Kierkegaard, Concluding Unscientific Postscript.
E: See Erdman, The Complete Poetry and Prose.
E/O I and II: See Kierkegaard, Either/Or vols. I and II.
FBU: Blake's The [First] Book of Urizen.
PV: See Kierkegaard, The Point of View for my Work as an Author.
SUD: See Kierkegaard, The Sickness unto Death.
A

Ackroyd, Peter. Blake: A Biography. New York: Alfred A. Knopf, 1996.

Adams, Hazard. “‘The Crystal Cabinet’ and ‘The Golden Net’.” Ed. Northrop Frye, Blake: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966. 79–87.
---. “The Dizziness of Freedom; Or, Why I Read William Blake.” College English 48.5 (September 1986): 431–43.

Adell, Sandra. “Richard Wright’s The Outsider and the Kierkegaardian Concept of Dread.” Comparative Literature Studies 28.4 (1991): 379–94.

Adorno, Theodor W. Kierkegaard: Construction of the Aesthetic. Trans. Robert Hullot-Kentor. Minneapolis, MN: University of Minnesota Press, 1989.

Aers, D. “William Blake and the Dialectics of Sex.” ELH 44.3 (Autumn 1977): 500–14.

Agacinski, Sylvaine. “An Aparté on Repetition.” Eds. Céline Léon and Sylvia Walsh, Feminist Interpretations of Søren Kierkegaard. University Park, PA: The Pennsylvania State University Press, 1997. 131–46.

Allchin, A. M. N. F. S. Grundtvig: An Introduction to his Life and Work. Oakville, CT: Aarhus University Press, 1997.

Alford, C. Fred. “Emmanuel Levinas and Iris Murdoch: Ethics as Exit?” Philosophy and Literature 26 (2002): 24–42.

Allison, C., FitzSimons. Rev. of Blake, Kierkegaard, and the Spectre of Dialectic, by Lorraine Clark. Church History 64.4 (December 1995): 694–6.

Allison, Henry E. “Christianity and Nonsense.” Ed. Josiah Thompson, Kierkegaard: A Collection of Critical Essays. Garden City, NY: Anchor Books, 1972. 289–323.

Allman, John. “Motherless Creation: Motifs in Science Fiction.” North Dakota Quarterly 58.2 (Spring 1990): 124–32.

Andrew, Kirill F. Evolution of the Danish Population from 1835 to 2000. Odense, Denmark: Odense University Press, 2002.

Augustine. Confessions and Enchiridion. The Library of Christian Classics, Vol. VII. Trans. and ed. Albert C. Outler, Philadelphia, PA: The Westminster Press, 1955.

Aune, David. Word Biblical Commentary 52A: Revelation. Dallas, TX: Word Books, 1997.

Ault, Donald. Rev. of William Blake in a Newtonian World: Essays on Literature as Art and Science, by Stuart Peterfreund. Modern Philology 97.4 (May 2000): 611–15.

B

Barr, Mark L. “Prophecy, the Law of Insanity, and The [First] Book of Urizen.” Studies in English Literature 46.4 (Autumn 2006): 739–62.

Barrett, Lee. “Kierkegaard’s ‘Anxiety’ and the Augustinian Doctrine of Original Sin.” Ed. Robert Perkins, International Kierkegaard Commentary: The Concept of Anxiety. Vol. 8. Macon, GA: Mercer University Press, 1985. 35–61.

Bass, Eben. “Songs of Innocence and of Experience: The Thrust of Design.” Eds. David V. Erdman and John E. Grant, Blake’s Visionary Forms Dramatic. Princeton, NJ: Princeton University Press, 1970. 196–213.

Bataille, Georges. Literature and Evil. Trans. Alastair Hamilton, New York: Marion Boyars, 1985. 75–102.

Bates, Catherine. “No Sin but Irony: Kierkegaard and Milton’s Satan.” Literature and Theology 11.1 (March 1997): 1–26.

Bateson, F. W. “Notes on Blake’s Poems.” Ed. Margaret Bottrall. William Blake: Songs of Innocence and Experience, A Casebook. New York: The Macmillan Press, Ltd., 1970. 175–188.

Battersby, Christine. Rev. of Feminist Interpretations of Søren Kierkegaard, Eds. Céline Léon and Sylvia Walsh, Hypatia 14.3 (1999): 172–6.

Baulch, David M. “‘To Rise from Generation’: The Sublime Body in William Blake’s Illuminated Books.” Word & Image 13.4 (October–December 1997): 340–65.

Beabout, Gregory R. Freedom and Its Misuses: Kierkegaard on Anxiety and Despair. Milwaukee, WI: Marquette University Press, 1996.

Behrendt, Stephen C. “Blake’s Bible of Hell: Prophecy as Political Program.” Eds. Jackie DiSalvo, G. A. Rosso, and Christopher Z. Hobson, Blake, Politics and History. New York: Garland Publishing, Inc., 1998. 37–52.
---. “The Evolution of Blake’s Pestilence.” Ed. Alexander S. Gourlay, Prophetic Character: Essays on William Blake in Honor of John E. Grant. West Cornwall, CT: Locust Hill Press, 2002. 3–26.

Bellinger, Charles K. “‘The Crowd is Untruth’: A Comparison of Kierkegaard and Girard.” Contagion: A Journal of Violence, Mimesis, and Culture 3 (1996): 103–19.
---. The Genealogy of Violence: Reflections on Creation, Freedom, and Evil. New York: Oxford University Press, 2001.

Bender, John, and Anne Mellor. “Liberating the Sister Arts: The Revolution of Blake’s ‘Infant Sorrow.’” ELH 50.2 (Summer 1983): 297–319.

Bentley, G. E. Jr. “Blake’s Heavy Metal: The History, Weight, Uses, Cost, and Makers of His Copper Plates.” University of Toronto Quarterly 76.2 (Spring 2007): 714–70.
---. Blake Records. 2nd ed. London: Paul Mellon Center, 2004.
---. “Blake and the Xenoglots: Strange-Speaking Critics and Scholars of Blake.” Blake: An Illustrated Quarterly 38.2 (Fall 2005):
---. “The Date of Blake’s Vala or the Four Zoas.” Modern Language Notes 71.1 (November 1956): 487–91.
---. Rev. of Innocence and Experience: An Introduction to Blake, by E. D. Hirsch, Jr. Modern Philology 63.1 (August 1965): 77-9.
---. Rev. of The Neoplatonism of William Blake, by George Mills Harper. Modern Philology 62.2 (November 1964): 169–72.
---. Rev. of Vision and Verse in William Blake, by Alicia Ostriker. The Modern Language Review 61.4 (October 1966): 684–5.
---. The Stranger from Paradise: A Biography of William Blake. New Haven, CT: Yale University Press, 2001.

Berninghausen, Thomas F. “The Marriage of Contraries in ‘To Tirzah.’” Colby Library Quarterly 20.4 (December 1984): 191–8.

Berry, Wanda Warren. “The Heterosexual Imagination and Aesthetic Experience in Kierkegaard’s Either/Or, Part 1.” Eds. Céline Léon and Sylvia Walsh, Feminist Interpretations of Søren Kierkegaard. University Park, PA: Pennsylvania State University Press, 1997. 25–50.
---. “The Silent Woman in Kierkegaard’s Later Religious Writings.” Eds. Céline Léon and Sylvia Walsh, Feminist Interpretations of Søren Kierkegaard. University Park, PA: Pennsylvania State University Press, 1997. 287–306.

Berthold, Fred Jr. Rev. of The Concept of Anxiety, by Søren Kierkegaard. Trans. Reidar Thomte, Religious Studies 18 S (1982): 406–8.

Bertung, Birgit. “Yes, A Woman Can Exist.” Eds. Céline Léon and Sylvia Walsh, Feminist Interpretations of Søren Kierkegaard. University Park, PA: Pennsylvania State University Press, 1997. 51–67.

Bidney, Martin. “A Russian Symbolist View of William Blake.” Comparative Literature 39.4 (Autumn 1987): 327–39.

Billingheimer, Rachel V. “Conflict and Conquest: Creation, Emanation and the Female in William Blake’s Mythology.” Modern Language Studies 30.1 (Spring 2000): 93–120.

Bindman, David. “Blake as a Painter.” Ed. Morris Eaves, The Cambridge Companion to William Blake. Cambridge: Cambridge University Press, 2003. 85–109.
---. “Blake’s Vision of Slavery Revisited.” The Huntington Library Quarterly 58.3/4, William Blake: Images and Texts (1995): 373–82.
---. ed. William Blake: The Complete Illuminated Books. New York: Thames & Hudson/The William Blake Trust, 2000a.
---. ed. William Blake: The Divine Comedy. Paris: Bibliothèque de l’Image, 2000b.

Binyon, Laurence. The Drawings & Engravings of William Blake. Ed. Geoffrey Holme, London: The Studio Ltd., 1922.

Blair, Robert. The Grave: A Poem. Illus. Schiavonetti / Blake. New York: D. Appleton & Company, 1903.

Blackstone, Bernard. The Neoplatonism of William Blake. Chapel Hill, NC: University of North Carolina Press, 1961.

Blake, William. Poetical Sketches. The Noel Douglas Replicas. London: Noel Douglas, 1926.

Bloom, Harold. The Anxiety of Influence: A Theory of Poetry, 2nd ed. New York: Oxford University Press, 1997.
---. Blake’s Apocalypse: A Study in Poetic Argument. Ithaca, NY: Cornell University Press,
1963, 1970.
---. “Blake’s Jerusalem: The Bard of Sensibility and the Form of Prophecy.” Eighteenth-Century Studies 4.1 (Autumn 1970): 6–20.
---. “Dialectic in The Marriage of Heaven and Hell.” Ed. M. H. Abrams, English Romantic Poets: Modern Essays in Criticism. Oxford: Oxford University Press, 1960. 76–83.
---. The Visionary Company: A Reading of English Romantic Poetry. Ithaca, NY: Cornell University Press, 1971.

Blunt, Anthony. “Blake’s ‘Ancient of Days’: The Symbolism of the Compasses.” Ed. Robert N. Essick, The Visionary Hand: Essays for the Study of William Blake’s Art and Aesthetics. Los Angeles: Hennessey & Ingalls, Inc., 1973. 71–104.
---. “The First Illuminated Books.” Ed. Northrop Frye, Blake: A Collection of Critical Essays. Englewood 
Cliffs, NJ: Prentice-Hall, Inc., 1966. 127–41.

Bogen, Nancy, ed. William Blake The Book of Thel: A Facsimile and a Critical Text. Providence, RI: Brown University Press, 1971.

Bolingbroke, Henry St. John. Letters on the Spirit of Patriotism; On the Idea of a Patriot King; and on the State of Parties at the Accession of George I. New Edition. London: T. Davies, 1775.

Bolt, S. F. “The Songs of Innocence.” Ed. Margaret Bottrall, William Blake: Songs of Innocence and Experience, A Casebook. New York: The Macmillan Press, Ltd., 1970. 114–22.

Bové, Paul. “The Penitentiary of Reflection: Sören Kierkegaard and Critical Activity.” Eds. Ronald Schleifer and Robert Markley, Kierkegaard and Literature: Irony, Repetition, and Criticism. Norman, OK: University of Oklahoma Press, 1984. 25–57.

Bowra, C. M. “Songs of Innocence and Experience.” Ed. Margaret Bottrall, William Blake: Songs of Innocence and Experience, A Casebook. New York: The Macmillan Press, Ltd., 1970. 136–59.

Brewster, Glen E. “‘Out of Nature’: Blake and the French Revolution Debate.” South Atlantic Review 56.4 (November 1991): 7–22.
- -. Rev. of Blake, Kierkegaard, and the Spectre of Dialectic, by Lorraine Clark. South Atlantic Review 58.2 (May 1993): 200–3.

Briggs, Asa. The Age of Improvement: 1783–1867. 2nd ed. New York: Longman, 2000.

Brodrick, George C., and J. K. Fotheringham. The History of England from Addington’s Administration to the Close of William IV.’s Reign (1801–1837). New York: Greenwood Press, 1919, 1969.

Broglio, Ron. Rev. of Knight of the Living Dead: William Blake and the Problem of Ontology, by Kathleen Lundeen. Pacific Coast Philology 36 (2001): 121–4.

Brown, Norman O. Life Against Death: The Psychoanalytical Meaning of History. 2nd ed. Middletown, CT: Wesleyan University Press, 1959.

Bruder, Helen. “The Sins of the Fathers: Patriarchal Criticism and The Book of Thel.” Eds. Steve Clark and David Worrall, Historicizing Blake. New York: St. Martin’s Press, 1994. 147–58.

Bruun, Søren. “The Genesis of The Concept of Anxiety.” Kierkegaard Studies (2001): 1–14.

Butlin, Martin. “The Physicality of William Blake: The Large Color Prints of ‘1795.’” The Huntington Library Quarterly 52.1 (Winter 1989): 1–17.

Butter, P. H. Rev. of Blake’s Heroic Argument, by David Fuller, Selfhood and Redemption in Blake’s Songs, by Harold Pagliaro. The Yearbook of English Studies 20 (1990): 288–9.

Butterworth, Adeline M. William Blake, Mystic: A Study. London: Simpkin, Marshall, Hamilton, Kent & Co. Ltd., 1911. Norwood Editions, 1976.

Byron, George Gordon. Don Juan. 2nd ed., Modern Library. New York: Random House, 1976.

C

Cantor, Paul. Creature and Creator. Cambridge: Cambridge University Press, 1984.

Carlson, Thomas A. “Possibility and Passivity in Kierkegaard: The Anxieties of Don Giovanni and Abraham.” Journal of the American Academy of Religion 62 (Summer 1994): 461–81.

Carlyle, Thomas. Critical and Miscellaneous Essays. London: Chapman and Hall, 1839, 1869.

Carretta, Vincent. “Exhibition Review.” Eighteenth-Century Studies 34.3 (2001): 440–445.

Cavell, Stanley. “Kierkegaard’s On Authority and Revelation.” Ed. Josiah Thompson, Kierkegaard: A Collection of Critical Essays. Garden City, NY: Anchor Books, 1972. 373–93.

Chapple, J. A. V. Science and Literature in the Nineteenth Century. London: Macmillan Education Ltd., 1986.

Chayes, Irene H. “Little Girls Lost: Problems of a Romantic Archetype.” Ed. Northrop Frye, Blake: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966. 65–78.
---. “The Presence of Cupid and Psyche.” Eds. David V. Erdman and John E. Grant, Blake’s Visionary Forms Dramatic. Princeton, NJ: Princeton University Press, 1970. 214–43.
---. Rev. of William Blake, Poet and Painter: An Introduction to the Illuminated Verse, by Jean Hagstrum. The Modern Language Journal 49.4 (April 1965): 261–2.

Clark, Lorraine. Blake, Kierkegaard, and the Spectre of Dialectic. Cambridge: Cambridge University Press, 1991.

Clark, Stephen H. “‘The Whole Internal World His Own’: Locke and Metaphor Reconsidered.” Journal of the History of Ideas 59.2 (1998): 241–65.

Cole, Kenneth C. “The Theory of the State as a Sovereign Juristic Person.” The American Political Science Review 42.1 (February 1948): 16–31.

Cole, William. “An Unknown Fragment by William Blake: Text, Discovery, and Interpretation.” Modern Philology 96.4 (May 1999): 485–497.

Coleridge, Samuel Taylor. Biographia Literaria. Eds. James Engell and W. Jackson Bate, Princeton, NJ: Princeton University Press, 1983.

Colley, Linda. Britons: Forging the Nation 1707–1837. New Haven, CT: Yale University Press, 2005.

Connolly, Thomas E., and George R. Levine. “Pictorial and Poetic Design in Two Songs of Innocence.” PMLA 82.2 (May 1967): 257–64.

Connolly, Tristanne J. William Blake and the Body. New York: Palgrave/Macmillan, 2002.

Crawford, Rachel. “Forms of Sublimity: The Garden, the Georgic, and the Nation.” Ed. Cynthia Wall, A Concise Companion to the Restoration and the Eighteenth Century. Malden, MA: Blackwell Publishing, 2005. 226–46.

Crisman, William. “Songs Named ‘Song’ and the Bind of Self-Conscious Lyricism in Blake.” ELH 61.3 (1994): 619–33.

Crites, Stephen. “Pseudonymous Authorship as Art and as Act.” Ed. Josiah Thompson, Kierkegaard: A Collection of Critical Essays. Garden City, NY: Anchor Books, 1972. 183–229.

Cross, Andrew. “Neither Either Nor Or: The Perils of Reflexive Irony.” Eds. Alastair Hannay and Gordon Marino, The Cambridge Companion to Kierkegaard. Cambridge: Cambridge University Press, 1998. 125–53.

Curran, Stuart. “Blake and the Gnostic Hyle: A Double Negative.” Blake Studies 4.2 (Spring 1972): 117–33.

D

Damon, S. Foster. Blake’s “Job:” William Blake’s “Illustrations of the Book of Job” with an Introduction and Commentary by S. Foster Damon. Providence, RI: Brown University Press, 1988.
---. William Blake: His Philosophy and Symbols. Gloucester, MA: Peter Smith, 1958.
---. and Morris Eaves, A Blake Dictionary: The Ideas and Symbols of William Blake. Hanover, NH: University Press of New England, 1988.

Darton, J. Harvey. “Blake and Verse for Children.” Ed. Margaret Bottrall, William Blake: Songs of Innocence and Experience, A Casebook. New York: The Macmillan Press, Ltd., 1970. 108–13.

Davenport, John J. “‘Entangled Freedom’: Ethical Authority, Original Sin, and Choice in Kierkegaard’s Concept of Anxiety.” Kierkegaardiana 21 (2000): 131–51.
---. “Kierkegaard, Anxiety, and the Will.” Kierkegaard Studies (2001): 158–81.

Davies, John Gordon. The Theology of William Blake. London: Oxford University Press, 1948.

Davies, J. M. Q. “Variations on the Fall in Blake’s Designs for Young’s Night Thoughts.” Ed. Alexander S. Gourlay, Prophetic Character: Essays on William Blake in Honor of John E. Grant. West Cornwall, CT: Locust Hill Press, 2002. 27–50.

Dettmar, Kevin, and Jennifer Wicke, eds. The Longman Anthology of British Literature: B. 2nd Compact Edition. Gen. Ed. David Damrosch, New York: Pearson/Longman, 2004.

Deuser, Hermann. “Religious Dialectics and Christology.” Eds. Alastair Hannay and Gordon Marino, The Cambridge Companion to Kierkegaard. Cambridge: Cambridge University Press, 1998. 376–96.

Diderichsen, Adam Thomas. “A Note on the Danish Reception of The Concept of Anxiety.” Kierkegaard Studies (2001): 351–63.

Dimock, Wai Chee. “Nonbiological Clock: Literary History Against Newtonian Mechanics.” The South Atlantic Quarterly 102.1 (Winter 2003): 153–77.

Dobbs, B. J. T. “Conceptual Problems in Newton’s Early Chemistry: a Preliminary Study.” Eds. Margaret Osler and Paul L. Farber, Religion, Science, and Worldview: Essays in Honor of Richard S. Westfall. New York: Cambridge University Press, 1985. 3–32.

Dörrbecker, D. W., ed. William Blake: The Continental Prophecies. The Illuminated Books, Vol. 4. Princeton: The William Blake Trust/Princeton University Press, 1995.

Douthwaite, Julia. “Homo Ferus: Between Monster and Model.” Eighteenth-Century Life 21.2 (1997): 176–202.

Downie, J. A. “Public and Private: The Myth of the Bourgeois Public Sphere.” Ed. Cynthia Wall, A Concise Companion to the Restoration and the Eighteenth Century. Malden, MA: Blackwell Publishing, 2005. 58–79.

Drake, Constance M. “An Approach to Blake.” College English 29.7 (April 1968): 541–7.

Dunning, Stephen. “Kierkegaard’s Systematic Analysis of Anxiety.” Ed. Robert L. Perkins, International Kierkegaard Commentary: The Concept of Anxiety. Vol. 8. Macon, GA: Mercer University Press, 1985.7–33.
---. Rev. of Kierkegaard’s Relations to Hegel Reconsidered, by Jon Stewart. Journal of the History
of Philosophy 42.4 (October 2004): 500–2.

Dupré, Louis. “Of Time and Eternity.” Ed. Robert L. Perkins, International Kierkegaard Commentary: The Concept of Anxiety. Vol. 8. Macon, GA: Mercer University Press, 1985. 111–31.
- -. “The Sickness Unto Death: Critique of the Modern Age.” Ed. Robert L. Perkins, International Kierkegaard Commentary: The Sickness Unto Death. Vol. 19. Macon, GA: Mercer University Press, 1987. 85–106.

Duran, Jane. “The Kierkegaardian Feminist.” Eds. Céline Léon and Sylvia Walsh, Feminist Interpretations of Søren Kierkegaard. University Park, PA: Pennsylvania State University Press, 1997. 249–66.

During, Lisabeth. “The Concept of Dread: Sympathy and Ethics in Daniel Deronda.” Critical Review (CR) 33 (1993): 88–111.

Dyrerud, Thor Arvid. “‘Nordic Angst’: Søren Kierkegaard and The Concept of Anxiety in Norway.” Kierkegaard Studies (2001): 364–77.

E

Easson, Kay Parkhurst, and Roger R. Easson, eds. William Blake the Book of Urizen. Boulder, CO: Shambhala and Random House, 1978.

Eaves, Morris. “The Title Page of The Book of Urizen.” Eds. Morton D. Paley and Michael Phillips, William Blake: Essays in Honor of Sir Geoffrey Keynes. Oxford: Clarendon Press, 1973.225–30.
---, Robert N. Essick, and Joseph Viscomi, eds. William Blake: The Early Illuminated Books. The Illuminated Books, Vol. 3. Princeton: The William Blake Trust/ Princeton University Press, 1993.
---, Robert N. Essick, and Joseph Viscomi, eds. The William Blake Archive. 2008.

Eichner, Hans. “The Rise of Modern Science and the Genesis of Romanticism.” PMLA 97.1 (January 1982): 8–30.

Eliot, T. S. “William Blake.” Selected Essays. New Edition. New York: Harcourt, Brace & World, Inc., 1964. 275–80.

Elrod, John W. “The Social Dimension of Despair.” Ed. Robert L. Perkins, International Kierkegaard Commentary: The Sickness Unto Death. Vol. 19. Macon, GA: Mercer University Press, 1987. 107–19.

Elton, Geoffrey. The English. Cambridge: Blackwell, 1994.

Emery, Clark. William Blake: The Book of Urizen. Coral Gables, FL: University of Miami Press, 1966.

England, Martha. “Apprenticeship at the Haymarket?” Eds. David V. Erdman and John E. Grant, Blake’s Visionary Forms Dramatic. Princeton, NJ: Princeton University Press, 1970. 3–29.

Ercolini, G. L. “Burke Contra Kierkegaard: Kenneth Burke’s Dialectic via Reading Søren Kierkegaard.” Philosophy and Rhetoric 36.3 (2003): 207–22.

Erdman, David V. “America: New Expanses.” Eds. David V. Erdman and John E. Grant, Blake’s Visionary Forms Dramatic. Princeton, NJ: Princeton University Press, 1970. 92–114.
---. “Blake’s Early Swedenborgianism: A Twentieth-Century Legend.” Comparative Literature 5.3 (Summer 1953): 247–57.
---. Blake: Prophet Against Empire. New York: Dover Publications Inc., 1991.
---. “Blake’s Vision of Slavery.” Ed. Northrop Frye, Blake: A Collection of Critical Essays.
Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966. 88–102.
---. ed. The Complete Poetry and Prose of William Blake. New and Revised edition. Commentary
by Harold Bloom. Berkeley, CA: University of California Press, 1965, 1982.

Erickson, Lee. “The Poets’ Corner: The Impact of Technological Changes in Printing on English Poetry, 1800–1850.” ELH 52.4 (Winter 1985): 893–911.

Essick, Robert N. Introduction. The Huntington Library Quarterly 58.3/4 (1995): 277–80.
---. “Jerusalem and Blake’s S nal works.” Ed. Morris Eaves, The Cambridge Companion to William Blake. Cambridge: Cambridge University Press, 2003. 251–71.
---. “Representation, Anxiety, and the Bibliographic Sublime.” The Huntington Library Quarterly 59.4 (1996): 503–28.
---. “Variation, Accident, and Intention in Blake’s Book of Urizen.” Studies in Bibliography 39 (1986): 230–5.
---. William Blake and the Language of Adam. Oxford: Clarendon Press, 1989.
---. “William Blake’s ‘Female Will’ and Its Biographical Context.” Studies in English Literature, 1500–1900 31.4 Nineteenth Century (Autumn 1991): 615–30.
---. William Blake: Printmaker. Princeton, NJ: Princeton University Press, 1980.
---. “William Blake, William Hamilton, and the Materials of Graphic Meaning.” ELH 52.4 (Winter 1985): 833–72.
---, ed. William Blake: Visions of the Daughters of Albion. San Marino, CA: Huntington Library and Art Gallery, 2002.
---, and Joseph Viscomi, eds. William Blake “Milton a Poem” and the Final Illuminated
Works: “The Ghost of Abel,” “On Homers Poetry” [and] “On Virgil Laocoön.” Blake’s Illuminated Books, Vol. 5. Princeton: The William Blake Trust/Princeton University Press, 1993.

Evans, C. Stephen. “Realism and antirealism in Kierkegaard’s Concluding Unscientific Postscript.” Eds. Alastair Hannay and Gordon Marino, The Cambridge Companion to Kierkegaard. Cambridge: Cambridge University Press, 1998. 154–76.

F

Faflak, Joel. Romantic Psychoanalysis: The Burden of the Mystery. Albany, NY: State University of New York Press, 2008.

Farrell, Michael. “John Locke’s Ideology of Education and William Blake’s ‘Proverbs of Hell.’” Note and Queries 25.1 (September 2006): 310–11.

Ferber, Michael. “The Finite Revolutions of Europe.” Eds. Jackie DiSalvo, G. A. Rosso, and Christopher Hobson, Blake, Politics and History. New York: Garland Publishing, Inc., 1998. 212–34.
---. “In Defense of Clods.” Ed. Alexander S. Gourlay, Prophetic Character: Essays on William Blake in Honor of John E. Grant. West Cornwall, CT: Locust Hill Press, 2002. 51–66.

Ferreira, M. Jamie. “Faith and the Kierkegaardian Leap.” Eds. Alastair Hannay and Gordon Marino, The Cambridge Companion to Kierkegaard. Cambridge: Cambridge University Press, 1998. 207–34.

Ferry, Anne. Rev. of War of Titans: Blake’s Critique of Milton and the Politics of Religion, by Jackie DiSalvo. Renaissance Quarterly 37.4 (Winter 1984): 671–2.

Fisher, Peter. F. “Blake and the Druids.” Ed. Northrop Frye, Blake: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966. 156–78.

Foot, Michael, and Isaac Kramnick, eds. The Thomas Paine Reader. New York: Penguin Books, 1987.

Forster, Michael. “Hegel’s dialectical method.” Ed. Frederick C. Beiser, The Cambridge Companion to Hegel. New York: Cambridge University Press, 1993. 130–70.

Fox, Susan. “The Female as Metaphor in William Blake’s Poetry.” Critical Inquiry 3.3 (Spring 1977): 507–19.

Francus, Marilyn. “The Monstrous Mother: Reproductive Anxiety in Swift and Pope.” ELH 61.4 (1994): 829–51.

Freeman, Kathryn. Rev. of Stranger from Paradise: A Biography of William Blake, by G. E. Bentley, Jr. Criticism 44.3 (2002): 297–301.

Friedman, R. Z. “Kierkegaard: First Existentialist or Last Kantian?” Religious Studies 18 ( June 1982): 159–70.

Frosch, Thomas R. “The Borderline of Innocence and Experience.” Eds. Robert F. Gleckner and Mark L. Greenberg, Approaches to Teaching Blake’s Songs of Innocence and of Experience. New York: The Modern Language Association of America, 1989. 74–9.

Frye, Northrop. “Blake After Two Centuries.” Ed. M. H. Abrams, English Romantic Poets: Modern Essays in Criticism. Oxford: Oxford University Press, 1960. 55–68.
---. “Blake’s Introduction to Experience.” Ed. Northrop Frye, Blake: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966. 23–31.
---. “Blake’s Treatment of the Archetype.” Eds. Mary L. Johnson and John E. Grant, Blake’s Poetry and Designs. New York: W. W. Norton & Company, 1979, 2008. 510–25.
---. Fearful Symmetry: A Study of William Blake. Princeton, NJ: Princeton University Press, 1969.
---. “Poetry and Design in William Blake.” Ed. Northrop Frye, Blake: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966. 119–26.

G

Garber, Frederick. “Nature and the Romantic Mind: Egotism, Empathy, Irony.” Comparative Literature 29.3 (Summer 1977): 193–212.

Gardner, Stanley. Arco Literary Critiques: Blake. New York: Arco Publishing Co., Inc., 1969.
---. Blake’s Innocence and Experience Retraced. New York: St. Martin’s Press, 1986.

Garff, Joakim. Søren Kierkegaard: A Biography. Trans. Bruce H. Kirmmse. Princeton, NJ: Princeton University Press, 2005.

Gaunt, David M. “The Creation-Theme in Epic Poetry.” Comparative Literature 29.3 (Summer 1977): 213–20.

Gee, Sophie. “The Sewers: Ordure, Effluence, and Excess in the Eighteenth Century.” Ed. Cynthia Wall, A Concise Companion to the Restoration and the Eighteenth Century. Malden, MA: Blackwell Publishing, 2005. 101–20.

Gilchrist, Alexander. Life of William Blake. Yorkshire, England: EP Publishing Company, 1973.

Gleckner, Robert F. “Point of View and Context in Blake’s Songs.” Ed. Northrop Frye, Blake: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966. 8–14.

Glen, Heather. Vision & Disenchantment: Blake’s Songs and Wordsworth’s Lyrical Ballads. New York: Cambridge University Press, 1983.

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