Star of the Sea: A Postcolonial/Postmodern Voyage into the Irish FamineMain MenuAbout This ProjectStar of the Sea OverviewJoseph O'ConnorIn this section, you will learn more about Joseph O'Connor and the other works he producedPostcolonial TheoryPostmodernismThe Gothic in Star of the SeaHistorical FiguresLanguage and Music in Irish CultureBiology of the FamineLandlords, Tenants, and EvictionsIn the following pages, you'll learn about landlords, tenants, and evictions during the Irish Potato FamineGovernment Policies and EmigrationMediaMemorialsContributorsBrief biographies of the people who made this book.
12016-03-04T12:57:27-08:00Ellen Rethwisch97fe176ecb8c9b047790608dc11cac0a49c3e4f282201Anti-Irish Propaganda from Punch Magazine in December of 1867plain2016-03-04T12:57:27-08:00Ellen Rethwisch97fe176ecb8c9b047790608dc11cac0a49c3e4f2
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12016-02-17T12:53:04-08:00Punch Magazine11plain2016-04-09T09:57:51-07:00PUNCH magazine was the most sympathetic form of British press in regards to the British working class or what could be referred to as the lower class (de Nie 31). The lower class British were less sympathetic to the Irish as they thought welfare should cater to their needs within the country rather than look to send aid elsewhere. As a result of this, racial stereotypes manifested into portrayal of “Paddy,” an objectified, lazy and violent Irishman described in many of PUNCH’s cartoons. The Irish dependency on the potato was believed to have revealed their ignorance, and the potato farming was also believed to have destroyed the Irish work ethic. Branching from this sentiment, increasing reports of food riots and landlord assassinations during the Famine only provided reinforcement for the stereotype of the conspiring and violent Irish. Michael De Nie raised the question as to why a discourse that emphasized Irish otherness was so privileged at the time of Ireland’s greatest need, and it’s a very valid question at that. He discovered that it was largely linked to religion, class, and race, as the “Paddy” was a papist, peasant, and a Celt. Thus the self-perpetuating negativity was established in media likePUNCH magazine.
Work Cited De Nie, Michael. "The Famine, Irish Identity, and the British Press." Irish Studies Review 6.1 (1998): 27-35. Web.
Researcher/Writer: Ben Deetz Technical Designers: Abbey Benson and Ellen Rethwisch